I played Big Band jazz music. I wasn't into rock and roll. I was just there because it was a living. I surprised everyone. I'm still surprising people.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

As far as critics, I'm not a hip guy. I was never on drugs. Nobody ever felt sorry for me 'cause I went straight or found God. I always had God. I've always like, played by the rules.

All around as a person, on right decisions, on holding your money, on doing your trade, a good education is a must. I don't think I would've done as good without an education.

I remember Mick Jagger asking me 'hey, how do you guys feel about us coming over here and taking all the play from you guys?' I said 'Well, in a way, you have eliminated all my competition.

Everybody goes through a stage where you have it. And, all of a sudden, you don't have it anymore. You get older and the audience gets younger.

I must tell you, to get started today must be very difficult 'cause whatever it takes today is very tough. They have to invest a million dollars in a video just to see if you have a hit record.

I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.

Times were changing. Clothes were changing. Morals were changing. We went from romantic loves songs like I used to do to rock 'n roll. Now that has changed to rap. So, there's always a new generation with new music.

I was a schooled musician. When I made 'Blue Velvet', I told everyone what to do. I was an arranger. I learned music in school I told the band to play this. I told the guitar to do that.

I had been on tour with people like Roy Orbison. I knew Bobby Darin, Sam Cooke. So many great performers.

Unfortunately, a lot of people are stupid. They take drugs. They get drunk and do all the wrong things in life. I just played it straight.

To me, there is nothing better than me going into the studio with a live band and hearing those violins and that echo and that sound. I mean I loved it.

I had a big troupe, a big army and it was a lot of fun. And, after 10 years of that, I just decided that I wanted to travel and do special dates. I go to Las Vegas these days.

Nobody really thought I was going to make it, because I was a musician. I really wasn't a singer.

I did have a big following in the upper New York area. I was at the New York State Fair a few times over the years. I have areas that I say are my areas.

When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.

I would sell 2 million records, a million went to teenagers and a million went to the adults. So, when The Beatles became so popular, I lost a million to the teenagers, but I was still selling a million to the adults.

The whole format of entertainment that I did seems to be fading away. The music business of today is completely different when you see the videos and the music.

Hey, we've all been to high school We've seen the in-crowds. Most of us have been in the outer crowds, the people who weren't in. Although I was never in, I was selling records and was very happy.

Sammy Davis, I backed him up. I used to study him every night. I saw how great performers worked and was able to incorporate a little bit from the best.

It's just different today. Nobody seems to last too long these days. I wouldn't know how to get started today.

They said hey look, The Beatles deserve to be number one, not Bobby Vinton. We're gonna cut your tires. Change that listing. They were dedicated at the time.

I played Big Band jazz music. I wasn't into rock and roll. I was just there because it was a living. I surprised everyone. I'm still surprising people.

Everything they say about Elvis today is true. He was just one great guy. He wasn't jealous of anyone. I would say Elvis was really someone special when you add it all up.

To me, there was nothing greater than to play for an audience and to entertain people and that has stayed with me all these years.

Most of those takes were one take. I made those records in three minutes. I didn't have time to get nervous or scared the first time I sang it. It was all 'live' and I enjoyed it so much.

Today, you're either very big or you're playing stadiums or you're not playing anymore. You're either popular where everybody will go to a 20,000 seat arena to see you or they won't go to see you at all.

Session musicians kind of respected me because what I was talking about made sense. That all came from an education. Believe me, education does you more good. Maybe that's the reason I've been around so long.

I was smart, to tell you the truth. I'm not really bright, but I'm not stupid.

The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

In my view a jazz musician is a great musician.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

I hate Stanley Clark, but I have to admit he's playing Jazz whether I like it or not.

I have to plead basic ignorance of most new jazz artists here.

If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.

I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.

I don't like freedom jazz - I think it's void of roots and void of foundation.

Jazz needs the help. It's the more sophisticated music. All the other music is on the TV, but jazz isn't.

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

Life is a lot like jazz... it's best when you improvise.

I still love the whole history of jazz. The old things sound better than ever.

A jazz musician is a juggler who uses harmonies instead of oranges.

Jazz is a music of great achievements but speed and chops serve a different function in jazz.