I think that it can be said of a lot of artists, and myself included, that we made the same record over and over from the beginning.

As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.

I'm not a jazz singer.

My songwriting and my style became more complex as I listened, learned, borrowed and stole and put my music together.

I think the women - Lauryn Hill, Mary J. Blige, Erykah Badu - are doing new conceptual things and using their voices to create new American music.

I was a guitar player first off.

I feel fortunate that I was able to step away from it when I wasn't interested.

My earliest influences were things I heard in my household.

I love working with the quartet. I have more freedom and flexibility.

I love all kinds of music.

A lot of what I have always done is do other singers.

From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians' hearts are.

I'm easily distracted by other things in the world around me.

I think that it can be said of a lot of artists, and myself included, that we made the same record over and over from the beginning.

Quite frankly, I've always listened to the black side of the radio dial. Where I grew up, there was a lot of it and there was a lot of live music around.

I'm still trying to re-create a Ray Charles concert that I heard when I was fifteen years old, and all my nerve endings were fried and transformed, and electricity shot through me.

The short answer is, yes, I think I have become a better singer.

I am not a jazz singer. I wouldn't place myself on that footing. I wouldn't even enter that arena.

This is a cause that musicians can take to heart because one of our main reasons for being is to share our music with other people, and this takes us to people who probably wouldn't otherwise get to hear music on quite this level.

My parents were music lovers and collectors. It was around.

I felt that, in retrospect, there was a time in the late Seventies, after I had a string of hits and successes, as a performer and a recording artist, that I wasn't saying anything.

As far as other instrumentalists, I used to love mellow sax players like Paul Desmond. I love piano.

I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.

I would say that I'm finding my voice in more ways than one.

There is not a lot that keeps me glued to the radio as I used to be.

My first love was the sound of guitar.

I really just followed my musical instincts every step of my life.

There's a whole lot of songs that men just can't do. The words are from another time and represent too much of an emotional commitment, whereas women can say that because of who they are.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.