If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

There's not one Tin Pan Alley song on my record.

The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.

The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music.

If you're going to use standards as criteria for signing musicians, you can sign thousands. If you're going to use some sort of conceptual interpretation that's based on the tradition of those standards, but is trying to move away from it, you're down to about 10 people or so.

Pop doesn't really look back. It can't. What makes pop work is simplicity.

That's kind of like how jazz is sometimes. You're out there predicting the future, and no one believes you.

It's hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there's no buzz, there's no interest.

The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula.

My dad was a musician, it was just what he did, like another guy's dad drives a meat truck. Our house was normal. We weren't taken with the fact our dad was a musician.

One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.

What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America.

I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.

The lion's share of what I hear right now are people who, intentional or accidental, have avoided all jazz prior to 1960. And all the musicians who were successful in the '60s spent their entire lives, prior to 1960, listening to all the musicians these people avoid.

It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymore.

If I were like a lot of other people, then it wouldn't be fun; but since I'm like me, it's okay.

I gave up my base in popular culture when I left the Tonight Show.

I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company.

Jazz fans love Miles and I love him for a myriad of reasons, but the overviews are always too simplistic.

Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.

A lot of musicians have a tough time hearing what we're doing in a trio format.

If you listen to a lot of the songs that are popular now, there's very little melody in there. People love the beat. But to musicians, it's melody, because we understand how elusive it is and how hard it is to hold.

I'm not going to play funk licks on a jazz album. That makes no sense.

You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't.

We played it as long as we could play it on that CD and I think it might be 50 minutes, maybe. What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.

I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?

There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over.

If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?

One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.

When you're dealing with music without words, titles are more a means of identification than anything else. What's the point of getting lofty?

I think that one of the problems that jazz has is that it's so incestuous that it's starting to kill itself.

Everybody talks about finding your voice. Do your homework and your voice will find you.

If you want something that's going to provide you with a lot of challenges and a variety of different things to do, then you really can't beat a place like the Air Force. I don't mean this to sound like a recruiting pitch. But it's been a lot of fun.

Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

I don't want to sound pompous, but I really think your gender doesn't necessarily dominate your sexual activity.

You get a heck of a sound from the church. Can't you hear it in my voice?

It's clear to me that there is no good reason for many philosophy books to sound as complicated as they do.

I am not a sound bite person. I prefer to run at the mouth.

This is going to sound strange, but I really didn't think I would pass 30. I don't know why or whatever, I just didn't. That's a very weird thing to say, I'm sorry. I don't know. Maybe it's because I was drinking so much as a youth.

People say that I could sing the phone book and make it sound good.

Handcuffing the ability of states and localities to develop clean fuels in the cheapest possible way, using local resources, is not sound or sensible policy.

I don't know the vast majority of you personally, and it may sound kind of corny, but I really feel as if we've become friends through the years. And you've been with me during a lot of good times and some very difficult ones. I can't tell you how grateful I am.

In my fifty years of experience and memory, I have seen the most amazing increase in the standard of living of a people ever achieved anywhere in the world. This is why I am so sure that our system of free competition and industrial development is sound and must be preserved.

The President had every reason to believe that the text presented to him was sound... These 16 words should never have been included in the text written for the president.

The soprano turned out to sound to me like the right hand on the piano.

I'd never try to be that distinctive from the Bee Gees' sound. I'm very proud of being a Bee Gee and am always aware that I'll be identified as a Bee Gee.

And I think I find, I know a lot of people around, in different cities, and so it's not - it might sound strange - but it's not that hard to say good-bye, because I know there's other people where I'm going. I can sort of fit in in a lot of places.