And I think I find, I know a lot of people around, in different cities, and so it's not - it might sound strange - but it's not that hard to say good-bye, because I know there's other people where I'm going. I can sort of fit in in a lot of places.

And I think I find, I know a lot of people around, in different cities, and so it's not - it might sound strange - but it's not that hard to say good-bye, because I know there's other people where I'm going. I can sort of fit in in a lot of places.

It's a visual world and people respond to visuals.

I think any journalist who spends time in a place realizes that there are lots of stories around beyond their primary story. You meet so many interesting people and have all kinds of experiences.

Of course, I'm drawn to a place like Iraq because It's the biggest story of our generation.

And, in some ways I like traveling, in other ways I'm sort of fed up by the whole notion.

When I was there, something clicked in my head; I found myself interviewing people, searching out facts and figures. Later on I became much more self-conscious of what I was doing.

I will interview bigwigs if I get the chance, but you are seldom surprised by people in power - you've got to get awfully damn close to get anything new.

I'm not a good tourist, I don't like tourism.

There's probably one more story about Bosnia that I'd like to do, because I spent a fair amount of time on the Serb side of the lines, which isn't apparent in the other books.

I tried to draw people more realistically, but the figure I neglected to update was myself.

I'd rather go to a place and spend a couple of months, get to know it, get to know the people.

My guide had a copy of Palestine on my last trip to Gaza. He'd bring it out and show people what I was trying to do. That usually went over pretty well.

I don't often go to a place just to check out all the cultural sites of a city.

When I went to Bosnia, I was there to tell someone else's story and I was more methodical.

I'd much rather hang out in a cafe. That's where things are really happening.

With comics you can put interesting and solid information in a format that's pretty palatable.

Oh, it's essential. I mean, you have to - if I'm writing about the Middle East, I have to go there, and if possible, stay long enough to get a real feeling for what's going on.

Robert Crumb is an influence on how I draw, but not on the subject matter I take or my approach. One thing I do like about Crumb is that he's chronicled his age, his times, and I think that is what artists should do.

I try to ask visual questions. I'll ask what someone was wearing, if that seems relevant. If possible, I'll walk over the same ground that they're depicting. Of course, I can never get it precisely as it was.

I think I'm generally a good listener anyway.

I don't like just traveling in for a short time. I've done that before, because sometimes you work for magazines and they have a budget, and if you're working for them, they want something by a certain time.

It became clear to me that I had to push it toward a more representational way of drawing.

Cherish your health family friends and vocation for none of these things are permanent.

Be humble and grateful for what you have and the universe will reward your gratitude.

It is great to be introspective, self analysis can be useful, but only if it results in action.

Look inside, without anyone else's validation understand that you are valuable, talented, unique, and worthy.

There are certain romances that belong in certain cities, in a certain atmosphere, in a certain time.

And I think I find, I know a lot of people around, in different cities, and so it's not - it might sound strange - but it's not that hard to say good-bye, because I know there's other people where I'm going. I can sort of fit in in a lot of places.

In addition to a timeline, I have proposed that U.S. troops be removed from front line combat positions in Iraqi cities and towns, turning over daily security patrols, interactions with citizens, and any offensive security actions to the Iraqis themselves.

We ought to be doing that with decent standard housing but if we have people who are absolutely on the streets in this case, I think it makes sense that tent cities are preferred to not having tent cities.

Our fifty principal cities contain 39.3 per cent of our entire German population, and 45.8 per cent of the Irish. Our ten larger cities only nine per cent of the entire population, but 23 per cent of the foreign.

Divine Nature gave the fields, human art built the cities.

Unlike most major American cities, Honolulu is geographically insulated from the rest of the country. When disaster strikes we cannot call on neighboring states for assistance.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

We do not look in our great cities for our best morality.

Have you ever, on a cloudless night, looked down from a passing aircraft flying over Canada? Endless, glowing strings of cities, towns, and homesteads. Stretching on and on, one province to the next. With only the stars in the distance.

Australia as a nation, as a set of cities and some regional centres, that project died a death and we didn't get it up, but I still think there's merit in that.

Burn down your cities and leave our farms, and your cities will spring up again as if by magic; but destroy our farms and the grass will grow in the streets of every city in the country.

The point of cities is multiplicity of choice.

I can set up shop anywhere. I've got my oils, I've got my yoga mat and I'm good to go. I must know good yoga classes in about 25 cities on this planet.

What I'm going to be given I gather is not the key to the city, which in many cities is the case. It's the freedom medal, and for me freedom has always been associated traditionally within the city.

It is we the workers who built these palaces and cities here in Spain and in America and everywhere. We, the workers, can build others to take their place. And better ones! We are not in the least afraid of ruins.

An architect should live as little in cities as a painter. Send him to our hills, and let him study there what nature understands by a buttress, and what by a dome.

There isn't much discussion of ruling class in America even in Boston, probably one of the most class-conscious cities in the country?

After spending three years of my life looking into this, I am more convinced than ever that the U.S. government's responsibility for the drug problems in South Central Los Angeles and other inner cities is greater than I ever wrote in the newspaper.

When we get piled upon one another in large cities, as in Europe, we shall become as corrupt as Europe.

We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living.

And one by one the nights between our separated cities are joined to the night that unites us.