I'm always looking for a kind of new musical entity to sort of move into a motion picture venue.

Yeah, I had an idea to make a very scary movie, based on a kind of serial murderer that preys on tourists.

Well, like any time you're shooting documentary stuff, you've got to be in the moment, and you've got to be able to be in control enough to capture what's happening.

You really are as hot as your last movie. And it goes away really quickly.

Well, I just think through your career you go through different phases, and I just got sort of uninspired by the whole studio process of making and releasing films.

So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point.

But, number one, I think traditional noir doesn't work in contemporary storytelling because we don't live in that world anymore.

You know, I listen to contemporary music all the time.

You know it's always amazed me - I think the most startling thing that's happened in the last couple of decades is that there is no sort of objective reporting anymore.

I guess what's most surprised me in most of the reviews is that they don't seem to get the noir story in the dream sequence, so they analyze it like a straight noir movie.

And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.

I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.

I've been sort of traveling around the country for ten years talking about independent features.

I'm always looking for a kind of new musical entity to sort of move into a motion picture venue.

I've dropped myself into straightforward character pieces in order to explore that form and reap its values. But you are sort of restricted visually when your first requirement is to tell a fairly straightforward story.

However, I spent most of my time in a Quaker school.

I don't see scarey films. I certainly wouldn't go see my films.

Godard is incredibly brilliant, the things he says. Apparently here in France, the most interesting thing when a new film of his is going to come out are his press conferences, because he's so brilliant.

That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.

I mean, I don't mind promoting a movie, or talking to the press if it's going to be used in some way.

I hadn't done just a straight-out comedy in a long time, just letting an ensemble do really good character acting, having them carry the movie as in my earlier pictures.

I do like directing other people's material.

When you make a movie outside the system and it's successful critically or a moderate financial success, you usually have to go back into the system and make a big hit.

It's always great to discover a new star of tomorrow.

And we've become very doubtful of our information sources, because they're all controlled by these huge multilateral corporations.

However, ironically, I was baptized Presbyterian, and went to a Quaker school for twelve years.

The biggest mistake in student films is that they are usually cast so badly, with friends and people the directors know. Actually you can cover a lot of bad direction with good acting.

The real trouble with film school is that the people teaching are so far out of the industry that they don't give the students an idea of what's happening.

You know, when people want to get any information, research information, it will all exist on these Web sites.

It's always great when you discover someone.

That’s what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.

I had to pinch myself a couple of times that I was actually on stage at the Atlantic with Carol Kane.

I try to stay away from stuff that's just action, action, action, action, action, and you kind of fast-forward through the dialogue scenes. I'm not interested in doing that. Give me a reason to fight, and I'll go there. But don't just make it, 'You touched my pen! Haaa-yah!' I've done that before.

People - running from unhappiness, hiding in power - are locked within their reputations, ambitions, beliefs.

America is dumb. It's like a dumb puppy that has big teeth that can bite and hurt you - aggressive. My daughter is four; my boy is one. I'd like them to see America as a toy - a broken toy. Investigate it a little, check it out, get this feeling, and then get out.

I just like, when you look at people who have long careers in film, they're able to make films that are far away from themselves, because they're metaphorical. It creates more opportunities, I think.

Its easy to fall in love. The hard part is finding someone to catch you.

I picked up reading late because I grew up dyslexic. When I went to college, a friend who was a big reader got me started on a number of writers, including Hemingway.

We live in a media world simultaneously obsessed with technology and personality.

The Pentagon Papers case stands today as a barrier to silence by official edict.

The once inviolate frame within which programs or commercials were displayed on television - always separately - has been violated to a pulp. Program content is seen increasingly as a mere backdrop on which ads are posted like billboards on a fence.

There is something about safari life that makes you forget all your sorrows and feel as if you had drunk half a bottle of champagne - bubbling over with heartfelt gratitude for being alive.

I think anytime you put the weight of the world on yourself saying, 'I have to perform,' or, 'I have to get a completion. I have to throw a touchdown,' nine times out of 10, I think you're going to fail.

The obvious objections to the execution of Saddam Hussein are valid and well aired. His death will provoke violent strife between Sunni and Shia Muslims, and between Iraqis in general and the American occupation forces.

Skepticism about the potential to achieve the kinds of breakthroughs we need has been a self-fulfilling prophecy.

One of my most sentimental items is my grandmother's engagement ring that my mom gave me a few years ago. It's a Victorian-style setting that's closed in the back, so it doesn't sparkle the way diamonds do now. I wear it as a pendant.

Breathe Through the Pain, It Always Gets Easier with Time.

It's just golf. As long as I get done without breakin' somethin' or hurtin' somebody, that's my goal.

I can travel with music. I close my eyes, and I can travel all over the world with music. And one after another, stories come to me, and I just record them.