When you make a movie outside the system and it's successful critically or a moderate financial success, you usually have to go back into the system and make a big hit.

Yeah, I had an idea to make a very scary movie, based on a kind of serial murderer that preys on tourists.

Well, like any time you're shooting documentary stuff, you've got to be in the moment, and you've got to be able to be in control enough to capture what's happening.

You really are as hot as your last movie. And it goes away really quickly.

Well, I just think through your career you go through different phases, and I just got sort of uninspired by the whole studio process of making and releasing films.

So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point.

But, number one, I think traditional noir doesn't work in contemporary storytelling because we don't live in that world anymore.

You know, I listen to contemporary music all the time.

You know it's always amazed me - I think the most startling thing that's happened in the last couple of decades is that there is no sort of objective reporting anymore.

I guess what's most surprised me in most of the reviews is that they don't seem to get the noir story in the dream sequence, so they analyze it like a straight noir movie.

And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.

I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.

I've been sort of traveling around the country for ten years talking about independent features.

I'm always looking for a kind of new musical entity to sort of move into a motion picture venue.

I've dropped myself into straightforward character pieces in order to explore that form and reap its values. But you are sort of restricted visually when your first requirement is to tell a fairly straightforward story.

However, I spent most of my time in a Quaker school.

I don't see scarey films. I certainly wouldn't go see my films.

Godard is incredibly brilliant, the things he says. Apparently here in France, the most interesting thing when a new film of his is going to come out are his press conferences, because he's so brilliant.

That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.

I mean, I don't mind promoting a movie, or talking to the press if it's going to be used in some way.

I hadn't done just a straight-out comedy in a long time, just letting an ensemble do really good character acting, having them carry the movie as in my earlier pictures.

I do like directing other people's material.

When you make a movie outside the system and it's successful critically or a moderate financial success, you usually have to go back into the system and make a big hit.

It's always great to discover a new star of tomorrow.

And we've become very doubtful of our information sources, because they're all controlled by these huge multilateral corporations.

However, ironically, I was baptized Presbyterian, and went to a Quaker school for twelve years.

The biggest mistake in student films is that they are usually cast so badly, with friends and people the directors know. Actually you can cover a lot of bad direction with good acting.

The real trouble with film school is that the people teaching are so far out of the industry that they don't give the students an idea of what's happening.

You know, when people want to get any information, research information, it will all exist on these Web sites.

It's always great when you discover someone.

That’s what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.

Our strength in finance has led us to set up an international financial centre with medium and long-term objectives, especially to develop Islamic financial and insurance services.

So, for example, a country was into recession right after I was sworn in, a dot-com bust had taken place. Then the attacks of September the 11th, and then of course the great financial meltdown in the -the fundamental question facing any presidency is how do you deal with the hand you're dealt?

I take great pride in having been able to overcome the Asian financial crisis and seeking the opportunities available to bring about an unprecedented growth in the economy.

I've been a financial journalist for 30 years.

Over and over again, financial experts and wonkish talking heads endeavor to explain these mysterious, 'toxic' financial instruments to us lay folk. Over and over, they ignobly fail, because we all know that no one understands credit default obligations and derivatives, except perhaps Mr. Buffett and the computers who created them.

I believe my publisher has shown a great deal of faith in me over a lot of years but I'm not prepared to be so arrogant to say that the long-term literary value of my work would compensate them for a financial failure.

We have, unlike many of our competitors, continued to meet our various financial obligations.

I kept an interested eye on the transfer window in England, which opened and closed last month, and the lack of frantic activity just goes to show the current financial state of the game right now.

I finally know what distinguishes man from the other beasts: financial worries.

One of the special characteristics of New York is that it is different from a London or a Paris because it's the financial capital, and the cultural capital, but not the political capital.

It's hard to exaggerate the importance of preserving the financial integrity of Social Security.

Women would be disproportionately affected by the privatization of social security. It is one of the most important safety nets for American women in old age, or in times of disability, to insure financial income for their families.

Asean is obviously a very important association for us. Over the past 30 years Asean has made great strides in regional cooperation covering a number of areas, although recently it has been under strain because of the financial crisis and other challenges.

For the past ten years I have had no financial problems.

We're on the verge of a financial collapse unless we balance the budget, and that means some really, really tough decisions.

Your most precious possession is not your financial assets. Your most precious possession is the people you have working there, and what they carry around in their heads, and their ability to work together.

Hitler's economic revolution in Germany had reduced financial considerations to a point where they played no role in economic or political decisions.

We did it Disneyland, in the knowledge that most of the people I talked to thought it would be a financial disaster - closed and forgotten within the first year.