And I have to consider myself fortunate, because there are plenty of writers who spend most of a lifetime looking for that certain something without ever finding it.

But other vampire stories? Well, no, I really haven't read too many, and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.

A literary critic is someone who can't write, but who loves to show he would have been a wonderful writer if only he could!

I'll know when the ideas aren't fresh anymore. And I'll know when writing doesn't give me a thrill anymore.

German readers are much like Brits or Americans: They read for the thrill of it, the occasional shudder down the spine, knowing it's not real - but looking over their shoulders anyway, just in case.

Now, after 18 years, not a sign of Lovecraft in my work.

Writers are in the entertainment business, and it gives me lots of pleasure to entertain my readers.

I should think just about every young writer - which I was at the time - would be influenced by HPL. As an American writer of weird fiction, he was at the top of the class.

But there's a little guy who sits astride my brain with a whip, and if I'm away from the machine for more than a couple of hours during the day, this little guy's lashing away.

If I had killed Crow off I can think of least six novels I would never have written, 400,000 words' worth of very necessary experience.

If, like Harry Keogh, I could talk to the dead - God, there are an awful lot of people I would like to speak to! Not least my father. Being in the army for 22 years, I didn't see enough of him, and I know there are a great many things I could have learned from him.

But I've found that to talk too much about movies is the kiss of death. If it happens then it happens, is all.

And I have to consider myself fortunate, because there are plenty of writers who spend most of a lifetime looking for that certain something without ever finding it.

We've got one life and the older we get the more we come to realize how short it is.

Now, when I was in the Army, writing was my hobby.

The Army was my bread and butter.

I have friends who read my books in Greek.

There are lots of other things that I haven't done, places I haven't seen. So eventually I'll have to find time for those things while there still is time.

The amazing thing now is that most of those so-called critics who were telling me to find my own voice seem to have lost theirs.

For a country to have a great writer is like having another government. That's why no regime has ever loved great writers, only minor ones.

I belong to a specific category of writers, those who speak and write in a language different from that of their parents.

I think ethnic and regional labels are insulting to writers and really put restrictions on them. People don't think your work is quite as universal.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

It is certain, indeed, that the sacred writers were apt to make great allowances for people with empty stomachs, and though I am well aware that the present profane ones think this very reprehensible, I venture to agree with the sacred writers.

I have always noticed that in portraits of really great writers the mouth is always firmly closed.

Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

You need the words, you need the script, you need the material, you need the commitment, you need the passion, it's like we depend on writers, we depend on producers, directors depend on us and once things are in the divine order as they happen.

Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

A writer should get as much education as possible, but just going to school is not enough; if it were, all owners of doctorates would be inspired writers.

There's a certain possessiveness of writers sometimes.

Writers are too neurotic to ever be happy.

I was notified on July 17 to be ready to start August 7 for an October air date. When we reached the screen we did not have a single segment ready. It was done so fast the writers never got a chance to know what it was all about.

There are some fine books and essays about that. Lewis Hyde has written about alcoholism and poets and the role that society gives its writers - encouraging them to die.

What makes me furious, not just because we're in an interview, but I don't like when writers take your words and put them somewhere else, in the wrong context in their own article about you.

Women writers have been told, forever, that our stories were not valuable. Not as valuable as men's stories about wars, business, power.

How some of the writers I come across get through their books without dying of boredom is beyond me.

I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing.

Movies have influenced all writers, not just thriller writers.

Labels only confuse people. The smarter people recognize artists who transcend categories. But I always try to entertain. It's in my nature; writers are born to entertain. If that means working ostensibly within a genre, fine.

I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works.

Recipe writers hate to write about heat. They despise it. Because there aren't proper words for communicating what should be done with it.

Pop science goes flying off in all kinds of fashionable directions, and it often drags a lot of SF writers with it. I've been led astray like that myself at times.

Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.

Writers, all the good ones, are Natural Born Liars.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

Writers' bedtimes vary, but few have been spared the shock of a copy editor's early wake-up call.

Some writers and producers are currently writing a sitcom for me, so we'll see what happens there. I'm somewhat reluctant to talk about some of the upcoming projects that I'm working on; I've a lot of stuff on the go, including five pictures that I'm looking at producing.