I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.

The songwriting has never really stepped forward from the '50's.

Elvis is not so difficult as Johnny Cash because his voice is so distinctive. If you try to copy Johnny Cash, it's just going to sound dumb.

It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.

I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.

Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music.

Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.

The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.

Veteran performers are dying off, and new acts simply aren't emerging on the national scene.

I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.

Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.

I wanted to go back to Sun. Unfortunately, most of the gear is gone from Sun. The way I take it now, it's almost like a tourist destination. So, it would have been pretty difficult to have brought all the gear into Sun to make it like it was in the '50's.

It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was.

People out there maybe know who Junior Parker is and some of those Sun Records blues guys.

Don't be afraid to take liberties with this music. Try and put some of yourself into it.

I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.

I'm not God's gift to rockabilly. There's great players out there, and some of them deserve a lot more than they've gotten.

I can't tell you how many people have asked me to show them Stray Cat Strut and that little diminished run on the C. I guess my brain is wired backwards. I don't know what possessed me to do that, but I did.

We weren't afraid to mix some crazy styles into the standard rockabilly look. We also took a lot of different musical influences that were part of that era.

With the Stray Cats at least, we really took the music somewhere else. First, we wrote our own songs. That's a real weak point in modern classics if you do rockabilly or blues.

To keep creating something with this type of music, you have to take it out of the box.

For every rockabilly festival staged here, there are 10 held overseas.

The biggest challenge for me was Get Rhythm. I don't know why.

A lot of people put all that stuff on a pedestal, and they won't touch it. But I don't think that's the reason they did that. I think they played that stuff out of pure joy.

I always thought when I hit 50 years old that'd be it for the travel. I don't have to tell you - you wait at an airport, your flight's delayed, get on a 14-hour flight, get off, get stuck in traffic, you get to the hotel and the room service is closed.

I like a good pompadour.

I started a big band when grunge was popular. I mean, that didn't make much sense.

If you listen to everybody's opinions, I mean, I always say I'd be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know, you have to follow your heart, you have to.

Robert Plant is one of the nicest people you'll ever meet, never mind rock star. He's so down to earth.

Rock and roll and swing never quite mixed. Rock and roll came in and just blew everything out of the water. Big bands were dead.

To me, rockabilly music paralleled punk's energy and feeling, but the players were much better.

If you listen to everybodys opinions I mean I always say Id be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know you have to follow your heart you have to.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.