The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.

The songwriting has never really stepped forward from the '50's.

Elvis is not so difficult as Johnny Cash because his voice is so distinctive. If you try to copy Johnny Cash, it's just going to sound dumb.

It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.

I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.

Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music.

Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.

The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.

Veteran performers are dying off, and new acts simply aren't emerging on the national scene.

I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.

Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.

I wanted to go back to Sun. Unfortunately, most of the gear is gone from Sun. The way I take it now, it's almost like a tourist destination. So, it would have been pretty difficult to have brought all the gear into Sun to make it like it was in the '50's.

It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was.

People out there maybe know who Junior Parker is and some of those Sun Records blues guys.

Don't be afraid to take liberties with this music. Try and put some of yourself into it.

I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.

I'm not God's gift to rockabilly. There's great players out there, and some of them deserve a lot more than they've gotten.

I can't tell you how many people have asked me to show them Stray Cat Strut and that little diminished run on the C. I guess my brain is wired backwards. I don't know what possessed me to do that, but I did.

We weren't afraid to mix some crazy styles into the standard rockabilly look. We also took a lot of different musical influences that were part of that era.

With the Stray Cats at least, we really took the music somewhere else. First, we wrote our own songs. That's a real weak point in modern classics if you do rockabilly or blues.

To keep creating something with this type of music, you have to take it out of the box.

For every rockabilly festival staged here, there are 10 held overseas.

The biggest challenge for me was Get Rhythm. I don't know why.

A lot of people put all that stuff on a pedestal, and they won't touch it. But I don't think that's the reason they did that. I think they played that stuff out of pure joy.

I always thought when I hit 50 years old that'd be it for the travel. I don't have to tell you - you wait at an airport, your flight's delayed, get on a 14-hour flight, get off, get stuck in traffic, you get to the hotel and the room service is closed.

I like a good pompadour.

I started a big band when grunge was popular. I mean, that didn't make much sense.

If you listen to everybody's opinions, I mean, I always say I'd be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know, you have to follow your heart, you have to.

Robert Plant is one of the nicest people you'll ever meet, never mind rock star. He's so down to earth.

Rock and roll and swing never quite mixed. Rock and roll came in and just blew everything out of the water. Big bands were dead.

To me, rockabilly music paralleled punk's energy and feeling, but the players were much better.

If you listen to everybodys opinions I mean I always say Id be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know you have to follow your heart you have to.

But like the rest of the country, Maine has reached an impasse, for most of the mercury that fouls our skies, waters and land comes from outside our borders.

Education is the cornerstone of our communities and our country.

For a country to have a great writer is like having another government. That's why no regime has ever loved great writers, only minor ones.

The successful establishment of a buffer zone around Fort Carson will provide an example for other bases around the country as we seek to protect the training mission of the U.S. military while preserving critical habitats on our ranges.

Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?

Prosperous farmers mean more employment, more prosperity for the workers and the business men of every industrial area in the whole country.

You look at the whole Human Rights questions, I happened to be there at just the right time when the country was awakening - this goes to the first question you asked - the whole country was awakening to a hundred years of injustice that hadn't been resolved yet.

It may be shocking to some people in this country to realize that, without meaning to do so, they hold views in common with Hitler when they preach discrimination against other religious, racial or economic groups.

So, for example, a country was into recession right after I was sworn in, a dot-com bust had taken place. Then the attacks of September the 11th, and then of course the great financial meltdown in the -the fundamental question facing any presidency is how do you deal with the hand you're dealt?

And so, my fellow Americans, ask not what your country can do for you; ask what you can do for your country.

The day cold and fair with a high easterly wind: we were visited by two Indians who gave us an account of the country and people near the Rocky mountains where they had been.

It was clear that the special interest groups in California really wanted the Chinese to be shut out of the country, because that was where the racial tension was the greatest.

Duty, Honor, Country. Those three hallowed words reverently dictate what you ought to be, what you can be, what you will be.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

To stop terrorists before the strike, we must do three things: deny them entry into the country, curtail their freedom of action inside the country, and deprive them of material and moral support from within the country.

As I think through the issue of funding the rebuilding of Iraq, I think about the analogy of a bankruptcy proceeding. There is no doubt that Iraq as a country is bankrupt.