Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.

The songwriting has never really stepped forward from the '50's.

Elvis is not so difficult as Johnny Cash because his voice is so distinctive. If you try to copy Johnny Cash, it's just going to sound dumb.

It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.

I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.

Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music.

Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.

The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.

Veteran performers are dying off, and new acts simply aren't emerging on the national scene.

I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.

Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.

I wanted to go back to Sun. Unfortunately, most of the gear is gone from Sun. The way I take it now, it's almost like a tourist destination. So, it would have been pretty difficult to have brought all the gear into Sun to make it like it was in the '50's.

It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was.

People out there maybe know who Junior Parker is and some of those Sun Records blues guys.

Don't be afraid to take liberties with this music. Try and put some of yourself into it.

I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.

I'm not God's gift to rockabilly. There's great players out there, and some of them deserve a lot more than they've gotten.

I can't tell you how many people have asked me to show them Stray Cat Strut and that little diminished run on the C. I guess my brain is wired backwards. I don't know what possessed me to do that, but I did.

We weren't afraid to mix some crazy styles into the standard rockabilly look. We also took a lot of different musical influences that were part of that era.

With the Stray Cats at least, we really took the music somewhere else. First, we wrote our own songs. That's a real weak point in modern classics if you do rockabilly or blues.

To keep creating something with this type of music, you have to take it out of the box.

For every rockabilly festival staged here, there are 10 held overseas.

The biggest challenge for me was Get Rhythm. I don't know why.

A lot of people put all that stuff on a pedestal, and they won't touch it. But I don't think that's the reason they did that. I think they played that stuff out of pure joy.

I always thought when I hit 50 years old that'd be it for the travel. I don't have to tell you - you wait at an airport, your flight's delayed, get on a 14-hour flight, get off, get stuck in traffic, you get to the hotel and the room service is closed.

I like a good pompadour.

I started a big band when grunge was popular. I mean, that didn't make much sense.

If you listen to everybody's opinions, I mean, I always say I'd be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know, you have to follow your heart, you have to.

Robert Plant is one of the nicest people you'll ever meet, never mind rock star. He's so down to earth.

Rock and roll and swing never quite mixed. Rock and roll came in and just blew everything out of the water. Big bands were dead.

To me, rockabilly music paralleled punk's energy and feeling, but the players were much better.

If you listen to everybodys opinions I mean I always say Id be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know you have to follow your heart you have to.

On the road to equality there is no better place for blacks to detour around American values than in forgoing its example in the treatment of its women and the organization of its family.

If I'm out trailriding, I have a favorite motorcycle. Riding on the road, I've got a favorite. If I'm jumping, I have a favorite, and if I'm racing, I have a favorite.

No one is guaranteed happiness. You can pursue it, but if you happen to find success along the way on that road to happiness, Conservatives believe you should not be demonized or penalized for it.

My desk, most loyal friend thank you. You've been with me on every road I've taken. My scar and my protection.

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

Strange - is it not? That of the myriads who Before us passed the door of Darkness through, Not one returns to tell us of the road Which to discover we must travel too.

The way was long and weary, But gallantly they strode, A country lad and lassie, Along the heavy road.

One is sorry one could not have taken both branches of the road. But we were not allotted multiple selves.

At home in Paris I take a milk bath two times a week, but here on the road it is more difficult. I miss them.

On that road of the informer, it is always night. I cannot ever inform against anyone without feeling something die within me. I inform without pleasure, because it is necessary.

And since I just turned 32, I'm thinking about getting married, having a family, and that's very difficult to do on the road as a correspondent.

Most of the international community, most of the countries around the world, don't want any side, any party to take unilateral steps. They would like that all of us to stick to the road map.

There is no royal road to anything, one thing at a time, all things in succession. That which grows fast, withers as rapidly. That which grows slowly, endures.

With their souls of patent leather, they come down the road. Hunched and nocturnal, where they breathe they impose, silence of dark rubber, and fear of fine sand.

We toured that record for a year, which turned out to be the culmination of ten years of being constantly on the road. We were sick to death of touring.

Love or not, I wouldn't subject a wife to the road. It's punishment.

There's no road map on how to raise a family: it's always an enormous negotiation.