You know, stand-up comedy is where I pretty much started out.

I still do television. I don't care. I just want to work. I love to work. I want to do 500 movies.

The bad guys are the best parts.

In the '70s, everybody was doing drugs, so long as you showed up and did your work, they'd use you until you died.

The best thing about Sci-Fi, which is my favorite genre, is that there are no rules for behavior. So you can do anything you want.

Producing is nothing more than bringing all the elements together, connecting people.

Larry Kasdan is a great director.

I'm a parrot. I can pick up an accent and just do it.

I play out negative fantasies for people. I'm the guy people love to hate. And they always remember the bad guy.

My dad had a movie theater so I was there every night.

I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.

I prayed to God for help and I put myself in a recovery house called Studio 12. It was for people in the business and you didn't have to have any money to go, which was good because I was broke.

Westerns was why I got into the business. I grew up on a small farm in California and all I ever wanted to do was to play gangsters and cowboys in movies.

Work begets work.

Blade Runner helped make my career. Everybody was in it. Who knew?

You know, stand-up comedy is where I pretty much started out.

I was a different kind of kid, oversensitive and all that.

My whole deal when I do accents or dialects is I gotta fool the locals. If I fool the locals then I've done my job.

I did 125 films, and over 100 television shows, and you've never seen the same character twice.

I've never considered myself a leading man, don't look like one, don't want to be one.

I could talk about Blade Runner forever.

I liked the drama of getting stoned.

I couldn't say no to jobs and I couldn't say no to drugs. I'd get high from a movie, I'd be somebody else because I didn't particularly like me, so long as I had a script in my hand, I was okay. As soon as the movie was over, I didn't know what to do.

I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't.

I'm big and a lot of the stars are smaller so if you're big and mean looking, you play bad guys. After Blade Runner, I was the meanest guy in Hollywood.

You never know what show is going to change your life.

Since very early in my career, I have always did my own stunt fighting.

The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

I really enjoy comedy. It's a real challenge.

I've mainly been in dramas, so this is one of my first comedy kind of performances in Cecil B. Demented.

Well I sure had been looking for a comedy for years without any success.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

Stand-up comedy and poverty. Those were my two main endeavors.

It seems like when I first started, people got into comedy because they wanted to be good comedians.

It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely.

This is one of his most human and most amusing and witty novels. The characters are very Indian. I decided that I wanted to do a comedy, so this was just the right one.

The English can be a very critical, unforgiving people, but criticism can be good. And this is a country that loves comedy.

Black Comedy is a farce that is played in the dark, as you know, with the lights full on. It's the Chinese convention of reversing light and dark, and exactly where anybody is at any given moment is the play.

I'd really been wanting to do a television series. I was looking for a comedy.

I think Andy Kaufman is to comedy what the Velvet Underground was to music - it's like, 80 thousand records sold, but everybody who bought one started a band.

Comedy is really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title.

Comedy may be big business but it isn't pretty.

The duty of comedy is to correct men by amusing them.

My mom and dad are both in stand-up comedy, so that's where I started, that's where I got everything. My roots are holding the mic.

That title, is one of the things I fought for. A lot of people said "But it's stupid, and it's the title of a comedy movie, and people won't take it seriously," and I'm sure there are some people who still don't. But for the most part, people do see that we really have a quality show.