I could talk about Blade Runner forever.

I still do television. I don't care. I just want to work. I love to work. I want to do 500 movies.

The bad guys are the best parts.

In the '70s, everybody was doing drugs, so long as you showed up and did your work, they'd use you until you died.

The best thing about Sci-Fi, which is my favorite genre, is that there are no rules for behavior. So you can do anything you want.

Producing is nothing more than bringing all the elements together, connecting people.

Larry Kasdan is a great director.

I'm a parrot. I can pick up an accent and just do it.

I play out negative fantasies for people. I'm the guy people love to hate. And they always remember the bad guy.

My dad had a movie theater so I was there every night.

I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.

I prayed to God for help and I put myself in a recovery house called Studio 12. It was for people in the business and you didn't have to have any money to go, which was good because I was broke.

Westerns was why I got into the business. I grew up on a small farm in California and all I ever wanted to do was to play gangsters and cowboys in movies.

Work begets work.

Blade Runner helped make my career. Everybody was in it. Who knew?

You know, stand-up comedy is where I pretty much started out.

I was a different kind of kid, oversensitive and all that.

My whole deal when I do accents or dialects is I gotta fool the locals. If I fool the locals then I've done my job.

I did 125 films, and over 100 television shows, and you've never seen the same character twice.

I've never considered myself a leading man, don't look like one, don't want to be one.

I could talk about Blade Runner forever.

I liked the drama of getting stoned.

I couldn't say no to jobs and I couldn't say no to drugs. I'd get high from a movie, I'd be somebody else because I didn't particularly like me, so long as I had a script in my hand, I was okay. As soon as the movie was over, I didn't know what to do.

I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't.

I'm big and a lot of the stars are smaller so if you're big and mean looking, you play bad guys. After Blade Runner, I was the meanest guy in Hollywood.

You never know what show is going to change your life.

Since very early in my career, I have always did my own stunt fighting.

The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

I didn't have a boyfriend until I was 17. There were boys at school that I would find out later had a crush on me but I was too shy to talk to them.

As I say, there was this movement to try to bring philosophers and mathematicians together into an organization where they would talk to each other. An organization wasn't effective unless you had a journal. That's about all I know.

And they talk about their bona fide doctors. They have a list of doctors that signed affidavits from looking at a picture of Terry. That's where they get their information from, by looking at a picture.

Of every ten persons who talk about you, nine will say something bad, and the tenth will say something good in a bad way.

There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

I appreciate life, talk a lot, love to laugh, and am very optimistic.

Forgive me my nonsense, as I also forgive the nonsense of those that think they talk sense.

When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.

Americans are big boys. You can talk them into almost anything. Just sit with them for half an hour over a bottle of whiskey and be a nice guy.

The rule is not to talk about money with people who have much more or much less than you.

I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I can't talk to a man who bears an undeserved animosity towards ferrets.

The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.

I cannot sing, dance or act; what else would I be but a talk show host.

Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.