I was playing with steel picks on a steel guitar, and there was no amplification needed.

Something is better than nothing. Doin' anything for a man, there's investments involved, there's time and production. It's better to give him ten bucks and get a record out than to never record the cat.

Logically, when you talkin' about folk music and blues, you find out it's music of just plain people.

I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.

Everybody would grab a guitar and listen to somebody else and call themselves a folk singer. When they didn't know no more songs, they'd run out of them.

There's a lot of good musicians who are unheard of. Get it down before they pass away.

I met Sonny after (Blind Boy) Fuller died, and me and Sonny played in the streets like everybody else.

Anywhere I'm wanted, I'll go. I've got to be wanted, though.

My guitar was loud as hell, and I had no sympathy for anybody else.

That's what I liked about hitch-hiking. If a crowd wasn't big enough, I kept walkin.'

I don't sit here and dream because I don't care about the future. I wouldn't take nothin' for my past and I've got enough behind me that I can write forever.

I was playing with steel picks on a steel guitar, and there was no amplification needed.

I only write about what I do, what happens to me.

Long made it possible for me to get on records, so what little money he did take from me, if any at all, he was entitled to it. He didn't take something from me.

From then on in, me and Sonny started makin' records. My first records, Sonny was backin' me up. Sonny wasn't singin' natural at the time; he was singin' falsetto.

When somebody blazes a path to a highway that never end, you should appreciate 'em some.

When I was hitch-hiking, people had to follow me, 'cause I didn't stay long.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.

I don't really know why I chose bass except that it was different than guitar.

Except for a few guitar chords, everything I've learned in my life that is of any value I've learned from women.

I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.

I just like simplicity. I like simple songs, I like simple chords, simple vocals, simple lead guitar. I just like simplicity. That's just the way I like it.

I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.

Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.

I'd like to have a beer-holder on my guitar like they have on boats.

When I joined the band, being that I was going to take this up as a profession, I realized that there were no two finer guitar players in the world that I'd rather play with.

It was my 16th birthday - my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do - write songs and sing them to people.

There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.

We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.

Bruce's band is so different from the Grateful Dead; there's no lead guitar player, for one thing.

I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school.

Catfish is not playing guitar no more, he's doing like a home-front thing. He had been in the business around ten years before I got in it, so I guess he's had enough of it.

You're better off being a brick layer if you're going to play guitar than a sheet metal worker.