I don't really know why I chose bass except that it was different than guitar.

I've experienced as much fame as I ever want to.

If you want music that speaks to you, that LISTENS to you, you have to go out of your way, which I enjoy actually. I'm constantly on a private-eye kick to find the totally obscure.

I mean, I would hope that I have a style or personality that is evident wherever I go.

I don't really know why I chose bass except that it was different than guitar.

But I also like to be in control, like anyone else. I try to achieve a balance.

Well, I've never been to Japan so I couldn't say. I do know that we have a bit of a following there however.

There's a reason I moved to NYC, and if I listed all the musicians on my list you'd grow weary.

Being in several, disparate bands is what I thrive on.

Mullets are still going strong in the south and places like St Louis or the Carolinas.

The bungle tour is a bit up in the air due to the fact this at we are getting screwed by our overseas label.

It's too hard for me to comment on the sorry state of our culture.

I remember when metal was something you really had to search out, and now I hear it on car commercials.

I love being a musician. I love the lifestyle. But I think it's probably as difficult and frustrating as anything.

NYC is chaotic. And I am attracted to chaos.

Music is a very personal and emotional form of communication.

I never understood why the metal heads in my school hated the punks.

I guess the two Manifesto, Communicating Vessels, Mad Love, and some of his poetry made a significant mark on me but as far as bringing a literary element into the music I see it as a much broader assimilation.

I think it was more personal, but I certainly tried to adapt certain concepts of Surrealism.

Harry Patch didn't get enough recognition. Jerry Garcia got too much.

I'm comfortable, but not satisfied and I hope to always feel that way.

It wasn't until after private lessons and learning bass lines that I even noticed bass in the music I was listening to at that age. My ears were blown wide open.

Now I am obsessed with collecting Platypus paraphernalia.

I need to broaden my horizons.

I feel akin to the Platypus. An orphan in a family. A swimmer, a recluse. Part bird, part fish, part lizard.

I love playing in Fantomas, which is very strict in terms of composition.

I take all of my music seriously and personally.

If I can introduce someone to something new, as is constantly happening to me, then I am elated.

I have no inflated ideas about success anyway.

Pop culture is not about depth. It's about marketing, supply and demand, consumerism.

Hopefully, as a band, it will grow and develop for a good length of time.

Bungle is definitely a priority right now.

Different people bring out different aspects of ones personality.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.