In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.

At HBO, they seem to be well-informed. They make what I think are really quite mature films.

With Cold Sassy Tree having its first production, I saw no necessity to do anything other than produce it with the correct setting.

Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined.

The music of the most popular operas is so highly esteemed, it can stand endless revivals.

When I was 24 I went to Nigeria and it was such a culture shock, growing up in Australia and suddenly being the only white man in this unit full of black men.

Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the astonishing thing is, nobody wears these hats at all.

There's a bright spot in every dark cloud.

I'd really been interested in opera when I was about 16, and I really like staging them.

When the music and the characters are flawlessly synchronized, the opera develops an emotional force that movies and plays cannot match.

I didn't get upset because I wasn't nominated, but I was a little surprised.

In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.

He's wrong. That's why his films look so terrible.

For a director, the most challenging scenes are the dialogue scenes.

The number of opera houses around the world and the high attendance rates show that opera an art form that is more popular than ever.

Quite a few operas are still being commissioned around the world, although nothing apart from audience popularity can ensure more than a few performances.

It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.

In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.

Directing an opera is similar to directing a play. The singing must not get in the way of the drama.

In silent movies, they tended to put the camera down, and everybody walked in front of it and acted, and then they all walked off. Cutting was quite infrequent.

On stage, the audience watches from a fixed viewpoint and the director cannot retake something he doesn't like. It has to work straight through.

When we were trying to get the money for Driving Miss Daisy, everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen.

It's not enough to hit the notes. There is no point in the singers just standing there and sounding wonderful if they're not connecting with the characters they are portraying.

Film is shot in fragments, and the same moments can be shot again and again until the director is satisfied.

Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.

I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.

With a film, I do my best to understand the author's intentions and try to bring the characters to life.

There were movies that always made me want to be a director. You see brilliant scenes and the way the emotions were handled. I thought, I'd really like to do that.

In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.

If you think it's going to rain, it will.

Set religion free, and a new humanity will begin.

Unless the reformer can invent something which substitutes attractive virtues for attractive vices, he will fail.

Every American deserves to live in freedom, to have his or her privacy respected and a chance to go as far as their ability and effort will take them - regardless of race, gender, ethnicity or economic circumstances.

It will take a long time, and certainly the West will remain the dominant civilization well into the next century, but the decline is occurring.

Given a fair wind, we will negotiate our way into the Common Market, head held high, not crawling in. Negotiations? Yes. Unconditional acceptance of whatever terms are offered us? No.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

To hard necessity ones will and fancy must conform.

Almost everyone will find something in our services worth paying for.

I frankly don't care if you agree with my stand on abortion. I take that stand because no other stand is consistent with decent principles, and no other standard is consistent with the will of God.

Let us eat and drink neither forgetting death unduly nor remembering it. The Lord hath mercy on whom he will have mercy, etc., and the less we think about it the better.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

There are those, I know, who will reply that the liberation of humanity, the freedom of man and mind, is nothing but a dream. They are right. It is. It is the American Dream.

I want to thank all the fans for their support over the years. Keep supporting the Knicks, we're moving in the right direction here and we will be exciting to watch and competing against the best in the NBA. Come back to the Garden for those exciting games.

How you think when you lose determines how long it will be until you win.

And it was only released in London last week, so when I go back to England Monday or whatever, I am expecting heaps of adulation. I'm hoping there is. If that doesn't happen I will be disappointed.

I realize that much will be asked of me, yet I am resolved to accept it as a great and splendid task.

You will never know the feeling of a driver when winning a race. The helmet hides feelings that cannot be understood.

The successful establishment of a buffer zone around Fort Carson will provide an example for other bases around the country as we seek to protect the training mission of the U.S. military while preserving critical habitats on our ranges.

Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace.