I can't sit down long enough to absorb any kind of learning.

There were so many individual styles thirty or forty years ago.

Well, I never really practiced because I never had the opportunity to practice.

But, when you have to resort to turntables, trick lights, flashing lights, fire and all that, you're actually saying, I need this because what I do is not all that together.

But primarily, the drummer's supposed to sit back there and swing the band.

I think it's a fallacy that the harder you practice the better you get.

So, practice, particularly after you've attained a job, any kind of job, like playing with a four piece band, that's... an opportunity to develop.

You only get better by playing.

And, well of course, Count Basie, and I think all of the black bands of the late thirties and early forties, bands with real players. They had an influence on everybody, not just drummers.

It takes us about four or five days to get an album out.

I think at one time every drummer wanted to play like Krupa or wanted to win a Gene Krupa drum contest. This is the big inspiration for drummers and naturally it has to be the same way for me.

To have everything written for you... It's not really creating. That's why I think symphony drummers are so limited. They 're limited to exactly what was played a hundred years before them by a thousand other drummers.

They're simply following what was laid down in front and they play the same thing. So, there's no great challenge In being a classical drummer.

I consider every drummer that ever played before me an influence, in every way.

But I think that any young drummer starting out today should get himself a great teacher and learn all there is to know about the instrument that he wants to play.

Every drummer that had a name, had a name because of his individual playing. He didn't sound like anybody else, So everybody that I ever listened to, in some form, influenced my taste.

So, to come In with a set routine it's something I've never believed in. It should depend on how you feel, because you play what you feel.

I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today.

I can't sit down long enough to absorb any kind of learning.

Almost everything I've done, I've done through my own creativity. I don't think I ever had to listen to anyone else to learn how to play drums. I wish I could say that for about ten thousand other drummers.

If he's a true symphony artist, he knows better than that because he knows that the only truly creative musician is the jazz musician.

I can think of a lot better things to do with my hands than to cut them up on the rim of a drum.

I play a percussion instrument, not a musical saw; it needs no amplification. Where it's needed, they put a microphone in front of the bass drum. But, I don't think it's necessary to play that way every night.

And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that.

But, I don't think any arranger should ever write a drum part for a drummer because if a drummer can't create his own Interpretation of the chart and he plays everything that's written, he becomes mechanical; he has no freedom.

I mean, I think I liked every band I ever played in because each band was different, each band had a different concept, and each band leader was different... different personalities and musical tastes.

But primarily the drummers supposed to sit back there and swing the band.

Average band with a great drummer sounds great great band with an average.

Average band with a great drummer sounds great great band with an average drummer sounds average.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

Let schoolmasters puzzle their brain, With grammar, and nonsense, and learning, Good liquor, I stoutly maintain, Gives genius a better discerning.

Without feeling abashed by my ignorance, I confess that I am absolutely unable to say. In the absence of an appearance of learning, my answer has at least one merit, that of perfect sincerity.

Learning teacheth more in one year than experience in twenty.

And I believe that the best learning process of any kind of craft is just to look at the work of others.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

And I like asking questions, to keep learning; people with big egos might not want to look unsure.

The lopsided attitudes of college professors pose a serious challenge to learning because students are so susceptible to becoming lopsided sheep.

I've never stopped learning.

I know what I like when I see it, but no way have I ever become interested in learning about it.

Not being a comic book fan, being thrown into that and seeing the extreme - it's taken very seriously. So I tried to do as much learning as I could about it so I wasn't mean or anything.

I spent a lot of years just learning my craft and falling down in front of the camera.

I'm learning English at the moment. I can say 'Big Ben', 'Hello Rodney', 'Tower Bridge' and 'Loo'.

Learning is the beginning of wealth. Learning is the beginning of health. Learning is the beginning of spirituality. Searching and learning is where the miracle process all begins.

I love talking about women because they are a constant study and you're always learning.

The experience of learning how to get straight to the core of a problem proved to be of immense value later when I had a long succession of responsibilities in large, complex government departments.

I think that obstacles lead to growth and ultimately, the most learning I've done in my life is between jobs.

I view life as a learning experience. It is not so much all about music; it is about what happens when you are doing the music.

I like doing accents and I like learning as much as I can learn.

In any of the arts, you never stop learning.