Listening is more important than anything else because that's what music is. Somebody is playing something and you're receiving it. It is sending and receiving.

It would be really hard to get serious about anything political today unless it was a joke.

I don't enjoy traveling in America. I don't like the food, the cars. It is not exotic enough. It all tastes a bit like airline food.

There are times when what's happening in rock is the best music in the world, and there are times when there is nothing worthwhile at all.

Living composers writing for big band are very few and far between. There are not a lot of them, and I have a talent for doing it. I am zeroing in on what I do best.

I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.

Gerry Mulligan and Chet Baker seemed so sophisticated and bad. I wanted to be like that.

When Ronald Reagan was elected I was on a bus traveling with a band in France. I wrote a little arrangement of The Star Spangled Banner in a minor key.

When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.

I still prefer the bebop of the '40s. The very stuff I started out with is still the best to me. I have come full circle.

I like chords that are very lush with all the lush parts taken out.

I write very slowly.

I got started when I was 3 years old because my father was a music teacher and my lessons were free. Instead of learning to walk, you learn to play the piano.

When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.

One performer whose band played my music better than I could myself was Art Farmer. He recorded 'Sing Me Softly of the Blues' and 'Ad Infinitum'.

I don't need much coaxing.

Listening is more important than anything else because that's what music is. Somebody is playing something and you're receiving it. It is sending and receiving.

I don't think you can ever regain your ignorance.

When you are studying Jazz best thing to do is listen to records & live music as much you can & absorb everything.

My romantically favorite era is 78, 79 listening to Grandmaster Flash and the Furious 4, the live tapes, echo chamber and break beats.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.

Fancy your having no sunshine in London yesterday! Here it was glorious, like full summer, and I sat up with the window wide open, listening to the discourse of two amorous thrushes.

I was growing up listening to Queen. Freddie Mercury threw those incredible melodies into his songs.

I just love listening to the laughter.

I was up until all hours of the night, listening to stories, meeting great old comedians.

There are many benefits to this process of listening. The first is that good listeners are created as people feel listened to. Listening is a reciprocal process - we become more attentive to others if they have attended to us.

I started listening to music when I wrote when I had three sons at home.

My playing started to develop through the Miles Davis stuff I was listening to.

The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work.

Any problem, big or small, within a family, always seems to start with bad communication. Someone isn't listening.

Whatever had been on the radio in the '60s; I mean we were always listening to the radio.

Because of the changes in the Padres team I played with last year, I felt like a veteran recently when I worked out with Jason Kendall and he told me he's liked listening to my records since he was a kid!

I think listening to real classic soul material made me learn how to feel music that's sung.

All of my style came from listening to records.

I had to be at least 8 or 9; I was listening to everything on the radio. You name it, I heard every song.

You can do and use the skills that you have. The schools need you. The teachers need you. Students and parents need you. They need your actual person: your physical personhood and your open minds and open ears and boundless compassion, sitting next to them, listening and nodding and asking questions for hours at a time.

Indeed - judicious, consistent parenting is a dream of mine. No judgements, learning space and listening carefully are my goals.

It was very hard to get any records, so the only source for us to really hear what was happening was listening to the Voice of America. We would be taping all the broadcast and then sharing the tapes and talking about it.

I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.

When I began listening to saxophones, I was first attracted to Coleman Hawkins.

I really like listening to music in my car.

No one knows who is listening, say nothing you would not wish put in the newspapers.

What honour have we got left, when nobody is listening to us?

Trees are Earth's endless effort to speak to the listening heaven.

There is such a thing as tempting the gods. Talking too much, too soon and with too much self-satisfaction has always seemed to me a sure way to court disaster. The forces of retribution are always listening. They never sleep.

We do have our finger on the pulse of the marketplace, if for no other reasons than having all these live events and listening to our audience all the time.

Of all human activities, man's listening to God is the supreme act of his reasoning and will.