My prose is turgid, it just hasn't got any energy.

I think the dangers are different now. Our abuse of the planet and our resources is an anxiety.

It's always good when women win things in fiction because it tends to be more male-dominated, unlike poetry, which is more equal.

Between 9am and 3pm is when I work most intensely.

Poetry and prayer are very similar.

I still read Donne, particularly his love poems.

I'll be left writing picture books and fairy tales.

Poets deal in writing about feelings and trying to find the language and images for intense feelings.

Christmas is taken very seriously in this household. I believe in Father Christmas, and there's no way I'd do anything to undermine that belief.

My prose is turgid, it just hasn't got any energy.

I write in that space between Ella's childhood and mine. I know it all sounds a bit sinister.

Every day is a gift with a child, no matter what problems you have.

I write quite a lot of sonnets, and I think of them almost as prayers: short and memorable, something you can recite.

Edinburgh is my favourite city. We'll be doing a lot of children's theatre and galleries.

Like the sand and the oyster, it's a creative irritant. In each poem, I'm trying to reveal a truth, so it can't have a fictional beginning.

When you have a child, your previous life seems like someone else's. It's like living in a house and suddenly finding a room you didn't know was there, full of treasure and light.

Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.

I always say that I'll have a go and see whether the poem works and if it does, then fine.

I am always pleased to be asked to write a poem.

I grew up in a bookless house - my parents didn't read poetry, so if I hadn't had the chance to experience it at school I'd never have experienced it. But I loved English, and I was very lucky in that I had inspirational English teachers, Miss Scriven and Mr. Walker, and they liked us to learn poems by heart, which I found I loved doing.

I like to think that I'm a sort of poet for our times.

If I felt, in the event of a royal wedding, inspired to write about people coming together in marriage or civil partnership, I would just be grateful to have an idea for the poem. And if I didn't, I'd ignore it.

If we think of what's up ahead, with climate change and wars over water, it's very frightening.

The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.

The poem is a form of texting... it's the original text. It's a perfecting of a feeling in language - it's a way of saying more with less, just as texting is.

The poem is the literary form of the 21st century. It's able to connect young people in a deep way to language... it's language as play.

You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.

Bees are the batteries of orchards gardens guard them.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

I merely took the energy it takes to pout and wrote some blues.

I didn't know at the time that the energy that I was giving off was like a battle Emcee.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

It takes a lot more energy to fail than to succeed, since it takes a lot of concentrated energy to hold on to beliefs that don't work.

I try to give positive energy in all my shows.

In modelling, there is no point in trying to prove you have a brain, so why even bother? I'd sooner save the energy for something more meaningful.

I was part of it, and I am still part of it today in terms of what it means to a whole new generation of people who are interested in the enduring energy, achievements, spirit and creativity that exemplified our era.

I always like having kid energy around. I think it's good for a movie, even when you're doing dramatic stuff.

You had to decompress the pressure before the race. I taught my heart to relax. I lay down before the race. It gave me more energy just before the race.

As long as I had easy access to psychedelics at the government-sponsored research project, most of my energy went into psychedelic sessions.

You can have anything you want if you want it desperately enough. You must want it with an inner exuberance that erupts through the skin and joins the energy that created the world.

Nerves provide me with energy... It's when I don't have them, when I feel at ease, that's when I get worried.

Electric cars aren't pollution-free; they have to get their energy from somewhere.

When I see someone who is starved, they don't look alert. They don't have boundless energy. If you're too skinny, it looks like you're near death.

Why is it so painful to watch a person sink? Because there is something unnatural in it, for nature demands personal progress, evolution, and every backward step means wasted energy.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

If for no other reason than the energy crisis now facing this country, the federal government should be eager to become partners with us in rebuilding our city.

It takes a lot of energy to teach.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.