Poetry and prayer are very similar.

I think the dangers are different now. Our abuse of the planet and our resources is an anxiety.

It's always good when women win things in fiction because it tends to be more male-dominated, unlike poetry, which is more equal.

Between 9am and 3pm is when I work most intensely.

Poetry and prayer are very similar.

I still read Donne, particularly his love poems.

I'll be left writing picture books and fairy tales.

Poets deal in writing about feelings and trying to find the language and images for intense feelings.

Christmas is taken very seriously in this household. I believe in Father Christmas, and there's no way I'd do anything to undermine that belief.

My prose is turgid, it just hasn't got any energy.

I write in that space between Ella's childhood and mine. I know it all sounds a bit sinister.

Every day is a gift with a child, no matter what problems you have.

I write quite a lot of sonnets, and I think of them almost as prayers: short and memorable, something you can recite.

Edinburgh is my favourite city. We'll be doing a lot of children's theatre and galleries.

Like the sand and the oyster, it's a creative irritant. In each poem, I'm trying to reveal a truth, so it can't have a fictional beginning.

When you have a child, your previous life seems like someone else's. It's like living in a house and suddenly finding a room you didn't know was there, full of treasure and light.

Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.

I always say that I'll have a go and see whether the poem works and if it does, then fine.

I am always pleased to be asked to write a poem.

I grew up in a bookless house - my parents didn't read poetry, so if I hadn't had the chance to experience it at school I'd never have experienced it. But I loved English, and I was very lucky in that I had inspirational English teachers, Miss Scriven and Mr. Walker, and they liked us to learn poems by heart, which I found I loved doing.

I like to think that I'm a sort of poet for our times.

If I felt, in the event of a royal wedding, inspired to write about people coming together in marriage or civil partnership, I would just be grateful to have an idea for the poem. And if I didn't, I'd ignore it.

If we think of what's up ahead, with climate change and wars over water, it's very frightening.

The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.

The poem is a form of texting... it's the original text. It's a perfecting of a feeling in language - it's a way of saying more with less, just as texting is.

The poem is the literary form of the 21st century. It's able to connect young people in a deep way to language... it's language as play.

You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.

Bees are the batteries of orchards gardens guard them.

Still, language is resilient, and poetry when it is pressured simply goes underground.

I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.

Art: If the object of poetry is, to make men, then poetry is the heir of prophecy.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

The gross heathenism of civilization has generally destroyed nature, and poetry, and all that is spiritual.

Poetry is a matter of life, not just a matter of language.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

Because people are very interested in my poetry, in what I say.

The poetry from the eighteenth century was prose; the prose from the seventeenth century was poetry.

It is the timber of poetry that wears most surely, and there is no timber that has not strong roots among the clay and worms.

I was reading the poems of Rochester. Rochester made himself out to be bisexual, but I think that was only to shock. Most of his poetry is sexual, even pornographic.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

Poetry is fascinating. As soon as it begins the poetry has changed the thing into something extra, and somehow prose can go over into poetry.

Poetry is an art, the easiest to dabble in, but the hardest to reach true excellence.

Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.

Narrative art, the novel, from Murasaki to Proust, has produced great works of poetry.

To know anything of a poet but his poetry is, so far as the poetry is concerned, to know something that may be entertaining, even delightful, but is certainly inessential.

Lapped in poetry, wrapped in the picturesque, armed with logical sentences and inalienable words.

I don't know a better preparation for life than a love of poetry and a good digestion.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.