Drums all have their own particulars - each drum has a place where they sound the best - where they ring out and resonate the best, and the head surface isn't too loose or too tight, mainly so you get a good rebound off of the head.

Sometimes one of us will have a riff or a bass line from home but it really gels when we come together. We really have a strong special chemistry that we take advantage of when we get together.

For live you need a microphone for the snare and the high hat, the kick drum, a nice stereo overhead and one for the toms - you can get away with using four mikes.

Playing well with others is important - not being too flashy, just keeping good time and of course coming up with cool beats. A good snare drum, kick drum, high hat. Just getting good at the hand feet coordination.

Drums all have their own particulars - each drum has a place where they sound the best - where they ring out and resonate the best, and the head surface isn't too loose or too tight, mainly so you get a good rebound off of the head.

We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians.

Its very sort of spontaneous and organic, not a preconceived sort of jamming. Now we record everything, cause sometimes you'll forget, you know, 'what was that thing again?' So we record everything.

I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.

I met the guys through a friend of a friend, and their former drummer had quit. I wasn't too familiar with the Chili Peppers before that, so I joined at the end of 88' and we finished recording Mother's Milk at the end of 89', next thing I know I'm in Spin with a sock.

I took a private lesson, but it didn't really work out, so I went back to playing along with records. That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.

I had sort of exhausted all the avenues playing in Detroit. So again, through the stewardship of my brother, I ended up in California and went to the Musicians Institute in L.A. I wanted to get better as a player.

Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl; their Export Series is great for a beginner.

Flea and Anthony are into funk, like old school Meters and stuff like that.

Edible names are what drives me as a musician. My next band will be called the Hot Dogs.

Family time is really important to me.

Going up north with the redwoods and driving along the coast, it's got everything, man. It's got the desert, the mountains, and the ocean. It's beautiful.

I just love to play and I get a chance to play with other musicians and I jump on it.

I just played at a club in L.A. called the Baked Potato. It fits like 90 people. It's like playing somewhere in a basement in, like, Indiana or somewhere where all your friends show up. It's really fun and there's a very different energy to that than to play to 50,000 at a Tokyo baseball stadium.

I just try to approach and serve the music in the way that I think is right for the band I'm in at the time.

I'm a little more of a lead instrument in the Meatbats.

I'm a musician. It's what I do! I wouldn't be too good at anything else.

Jazz can be so serious, no sense of humor.

People who come up to me are drummers or fans of the band. I don't get it too much, but I'll be somewhere and someone will have me take a picture or something.

That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.

The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.

The Meatbats are a throwback band.

There's something about the rawness of the live thing, there's no rhythm guitars behind the solo, nothing other than what you hear the people playing at that moment. It's exciting, it's about the performance.

Drums all have their own particulars each drum has a place where they sound the best where they ring out and resonate the best and the head surface isnt too loose or too tight mainly so you get a good rebound off of the head.

If you want something that's going to provide you with a lot of challenges and a variety of different things to do, then you really can't beat a place like the Air Force. I don't mean this to sound like a recruiting pitch. But it's been a lot of fun.

Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

I don't want to sound pompous, but I really think your gender doesn't necessarily dominate your sexual activity.

You get a heck of a sound from the church. Can't you hear it in my voice?

It's clear to me that there is no good reason for many philosophy books to sound as complicated as they do.

I am not a sound bite person. I prefer to run at the mouth.

This is going to sound strange, but I really didn't think I would pass 30. I don't know why or whatever, I just didn't. That's a very weird thing to say, I'm sorry. I don't know. Maybe it's because I was drinking so much as a youth.

People say that I could sing the phone book and make it sound good.

Handcuffing the ability of states and localities to develop clean fuels in the cheapest possible way, using local resources, is not sound or sensible policy.

I don't know the vast majority of you personally, and it may sound kind of corny, but I really feel as if we've become friends through the years. And you've been with me during a lot of good times and some very difficult ones. I can't tell you how grateful I am.

In my fifty years of experience and memory, I have seen the most amazing increase in the standard of living of a people ever achieved anywhere in the world. This is why I am so sure that our system of free competition and industrial development is sound and must be preserved.

The President had every reason to believe that the text presented to him was sound... These 16 words should never have been included in the text written for the president.

The soprano turned out to sound to me like the right hand on the piano.

I'd never try to be that distinctive from the Bee Gees' sound. I'm very proud of being a Bee Gee and am always aware that I'll be identified as a Bee Gee.

And I think I find, I know a lot of people around, in different cities, and so it's not - it might sound strange - but it's not that hard to say good-bye, because I know there's other people where I'm going. I can sort of fit in in a lot of places.

We suspect Dr. Clutterbuck's sense of hearing must be injured: for him the 'ear trumpet' magnifies but distorts sound, rendering it less distinct than before.

If you're not Prince, you're never going to sound like Prince.

From each one of them rose separate columns of smoke, meeting in a pall overhead, and through the smoke came stabbing flashes of fire as German shells burst with thudding shocks of sound. This was the front line of battle.

Sound is the vocabulary of nature.

I want to take some jams and really concentrate on hooking up with Page because, since he's the only one not next to me, and his sound is mainly coming from my monitor rather than through the air, it's a little harder for me to hook up with him.