If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay.

A handful of older, romantic leading men, like Sean Connery, Jack Nicholson, and Robert Redford are still landing parts.

When you get to a certain age, the work begins to thin out.

Your senses are reeling all the time. Finally you find something to write and the very next day you go out and see something else which totally contradicts what you've written and every conclusion you've come to.

A car to pick me up every day, a chair with my name on it, everybody being very polite... what can you do except sit back and watch it all, try to take it all in?

I phoned this number and said, Please, sir, I want to be an actor.

You have to be selfish to be an actor.

I was a window dresser for Burton's once. What really put me off was the area manager coming round and saying, Charles, I think you're a natch at this.

You have to attempt to be objective about yourself.

If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay.

We had five goats, two dogs, a cat and racks of commentaries on Shakespeare.

Most films are written and made with a hero around 35, or even 25.

It's a question of keeping one's eyes and ears open and watching how other people play the game. They're watching me too, to see what my attitude is like.

I'm playing one of the principal roles, which gives you more clout and more confidence.

A while ago, I did a television adaptation of 'Bleak House,' and the character I played, as far as I was concerned, had no redeeming features whatsoever. I wasn't about to try to find any; I didn't need to.

I got a lot of energy from directing the film 'Ladies In Lavender.' You wonder if you have the stamina because as an actor you can lounge around the trailer during the scenes you're not in, but as a director, you're there from first thing in the morning to last thing at night every day of the week. I found it incredibly energising.

I mostly play old period songs, as they suit a ukulele more. I bought it when I saw the tribute concert to George Harrison. Joe Brown came on and sang 'I'll See You In My Dreams,' and there wasn't a dry eye in the house.

I've got a range as an actor! There was a time I played dramatic leading men.

I've never been one for late nights, which is why I have always preferred making films to theatre. A play takes over your life: you start to feel sick at lunchtime, and by mid-afternoon, you're wishing for a bomb scare so the whole thing will be called off. Of course, if the evening goes well and you get the applause, then it's wonderful.

If I was to put a little flag in everywhere I've been in the world, there'd be a lot of little flags.

My face lends itself to austere characters, and unless they're two-dimensional, I will do them. Any actor will tell you that an interesting villain is much more interesting to play.

People think I have the benefit of a public school education. I have this suave and debonair label, but really, I'm as common as muck.

Politics is the most corrupt profession on Earth, no matter where you are.

Power is always a corrupting influence.

We have to take risks in British television. It has to stop playing to the lowest common denominator and patronising people.

We need to look to our laurels a bit with television in this country. I don't think enough risks are being taken in drama television in the U.K., and I think a lot of programme makers are underestimating the intelligence of the viewing public, basing it all on ratings.

You should encourage a child to show off. You can say to a child, 'Stop being rude,' 'Stop shouting,' 'Stop jumping around on the furniture.' But 'Stop showing off'? That's awful.

The Lord doesn't like us to be dead. Be alive. Sometimes I dance to the glory of the Lord, because He said so.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I cannot sing, dance or act; what else would I be but a talk show host.

No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.

When I got a lap dance, because I was 17, they had to put a massive pillow between me and the girl when she was grinding me. It was weird, yet pleasurable.

I grew up with six brothers. That's how I learned to dance - waiting for the bathroom.

I would love to do more music, definitely. That is my true passion. Dance is first and then music.

They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

The real message of the Dance opens up the vistas of life to all who have the urge to express beauty with no other instrument than their own bodies, with no apparatus and no dependence on anything other than space.

It's always been my dream to do a dance scene with Anthony Hopkins.

Sex in a dance is in the eyes of the beholder. I never thought my dances sexy. I suppose that's because I see myself with my face washed, and to me I look like a rabbit.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

We were at our best when we were playing in the dance halls of Liverpool and Hamburg. The world never saw that.

We want to be the band to dance to when the bomb drops.

Life is like dancing. If we have a big floor, many people will dance. Some will get angry when the rhythm changes. But life is changing all the time.

People come to see beauty, and I dance to give it to them.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.

I wasn't out drinking and abusing my body. I simply loved to go out and dance.

And dance is wonderful because dance is so immediate.

Disco is just pop music you can dance to.