Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.

Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.

Comics, at least in periodical form, exist almost entirely free of any pretense; the critical world of art hardly touches them, and they're 100% personal.

I prefer to imagine that my wife, a few friends, and occasionally my mom are the only ones who read what I do, though I realize that this is somewhat unrealistic.

During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and "style" as much as I could, since I knew that I'd calcify as I got older.

Sometimes I get worried I'm getting too caught up in the nauseatingly oily smoothness of my own line, when all I'm trying to do is make it as clear as possible.

I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.

I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the 'honesty' of the story.

I guess I just don't like being physically in front of people I don't know very well, because I expect to be "seen through," or, even worse, instantly hated.

The thing I don't understand is why so often one hears discussion of the fruits of human labor as if it's all the creation of some alien race.

Mostly, I was only interested in television as a kid, and the majority of reading material I collected was an adjunct to that central concern, comic books and magazines included.

No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.

As I've gotten older I've occasionally found myself nostalgic for earlier periods of solitude, though I realize that's also likely a false nostalgia, as I know there was nothing I wanted more during those periods than to not be alone, whatever that means.

Cartoons are not real drawings, because they are drawings intended to be read.

Drawing on a computer doesn't make any sense to me. It's not intuitive.

During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and 'style' as much as I could, since I knew that I'd calcify as I got older.

I believe that the development of language - of naming, categorization, conceptualization - destroys our ability to see as we age.

I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive.

I don't think of myself as an illustrator. I think of myself as a cartoonist. I write the story with pictures - I don't illustrate the story with the pictures.

I guess I just don't like being physically in front of people I don't know very well, because I expect to be 'seen through,' or, even worse, instantly hated.

I have a preponderance to look smug in photos; something to do with the way my mouth turns up at the corners.

I still can't get over the idea that respectable adults now go to see superhero movies and that such films get reviewed in the 'New Yorker.' Clearly, I am seriously out of step with the times.

My grandmother was an unparalleled storyteller who gave me a preview of how life might turn out, and also fortified my empathy.

My head looks like an uncooked ham with glasses.

My mother was always encouraging about my wanting to be an artist.

My wife has joked that if anything ever happened to me, she'd gladly live out her life without anyone else around. I think it bugs her I'm home all the time; such is the life cycle of the cartoonist, however.

No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.

The first thing I do when I get up is I look out the window. I've been looking at the same image for six years. It's imprinted in my mind like an afterimage template.

There seems to be such a laziness in - and I hate to use this phrase - the modern world. Everything is pumped out so quickly so that you can read it while passing by, like billboards or those flashcards before movie shows.

Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done.

When I was 11 years old, I thought, 'All I really wanna be able to do is my own comic book,' and I'm doing it. I don't have any other real ambitions. I have nothing to conquer at all.

Corporate partners help UNICEF fund our programmes for children, advocate with us on their behalf, or facilitate our work through logistical, technical, research or supply support.

Bambi has a profound effect on children because it's about losing your mother.

I love children and I love men, but I can't commit to either for the rest of my life.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

Public opinion polls are rather like children in a garden, digging things up all the time to see how they're growing.

For example, UNICEF works with governments to change legislation such as in India where a law was passed raising the age of compulsory school completion to keep children in school and away from the workplace for longer.

I'm not up on today's television for children, because it's mostly cartoons that don't seem to interest me.

When I see children, I see the face of God. That's why I love them so much. That's what I see.

We have three cats. It's like having children, but there is no tuition involved.

Instead of needing lots of children, we need high-quality children.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

Fiction came quite a while later. I began with short stories and fiction for children.

A drunkard would not give money to sober people. He said they would only eat it, and buy clothes and send their children to school with it.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

I believe very firmly that gay people of every stripe and age should be role models for all children, and that means interacting with them.

In fact I have nightmares about having children. I want to carry a baby and feel the life within me and in my dream, I do. But every time after it's born, there's this incredible fear, this pounding pulse of fear. It's a real bad nightmare.

When you are getting ready to become a mom, being in love with someone just isn't enough. You need to think about whether he would be a good parent and raise your children with similar beliefs.

The real question isn't whether you love your kids or not, but how well you are able to demonstrate your love and caring so that your children really feel loved.