I think all industries are sexist in nature and I don't think the film industry is any different.

I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.

I like to take up something that is challenging. I like to stretch myself.

A friend of mine described it this way: When they were born it was like a meteor landed in our house and blew everything apart. We had to just put all the pieces back.

When I'm not working, my time is really about my children.

And that's why I chose on purpose not to have a death scene. We've seen them in a million movies and it's too much like cranking the tears out. I didn't want that scene.

When I was first starting out, if you were acting on television, it was a real stigma.

I think all industries are sexist in nature and I don't think the film industry is any different.

I am an actress and acting is my passion... period!

Competition is very good... as long as its healthy. It's what makes one strive to be better.

Theatre is more exciting in the sense that you can actually see the audience in the eye. You know there are no takes and retakes. You have one chance to do your job... and you better do it well!

The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover.

My heart's in really great shape thanks to spinning classes.

Sure I faced the troubles and challenges that most actors and actresses face until they get noticed, but I was always confident of myself and my capabilities.

Television really does offer still great parts for women, cable in particular.

After doing so many different roles, if you don't stretch yourself, there's no excitement left.

I loved the stage and then grew to love the camera.

I was a fighter and very determined. There was no way I was going to back out without winning.

I demanded two weeks of rehearsal because to me as an actor, that's the most important time.

It was not really a career choice that I had to make. It was something I knew right from the beginning. I had to be an actress... period.

I most often land up taking up the roles that I most detest.

I don't want to fight aging; I want to take good care of myself, but plastic surgery and all that? I'm not interested.

Its only when you are a great actor and are recognised for your good work that you become famous. Unless you are in the news for the wrong reasons!

I would take up any small job on the sets, just so that I could hang around with the hope of getting noticed.

I'm more proud of quitting smoking than of anything else I've done in my life, including winning an Oscar.

After doing so many different roles if you dont stretch yourself theres no excitement left.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.

When I said I was going to audition for a film, I got a hearty laugh from all my family.