The events of the day inspired me to become a lawyer.

I can't tell you how hard I worked the last year. In fact, I worked so hard that I know I can't maintain that same work level in 2001, so I've got to quit something.

I'm real bent on dialogue. I'm just a little bit crazy and when you put that along with 20 years as a criminal lawyer, it's pretty easy to come up with some interesting plots.

The law has no compassion. And justice is administered without compassion.

I suppose that one of the reasons I wrote "In Contempt" was because of the money. After the trial I came to realize that there were things that I needed to do if I was to protect myself and my family, so there were some selfish reasons for it.

I chose to go to law school because I thought that someday, somehow I'd make a difference.

That's the thing about us lawyers - if at all possible, we will consume each other.

It would have been easier to have a male protagonist, but I didn't want people to assume that Nikki Hill was me in her entirety because a lot of people just don't like me and I don't think they would be interested in reading about me, even in the fictional context.

The events of the day inspired me to become a lawyer.

In some ways I'm still recovering from the trial. My health is not as good as it ought to be. I've gone back to practicing law and it seems to have taken a toll for whatever reason.

I no longer teach law. But when I did I advised my students that they should never accept a case if it meant that by doing so you couldn't sleep at night.

I think it hurt my performance because I stopped being me. That won't ever happen again.

I began writing in the 4th grade. As a matter of fact, I produced a play for the entire school. It was about Leif Ericson and the discovery of America.

Writing is hard work, but a lot of fun, too. It allows me to live out some of my fantasies.

It's too late for that - trying to second guess it. It's over. I'm worried about how to get the kids through school and still write and practice law and take power of attorney.

It's much like writing a screenplay with someone else and that's how we view it, I think.

All I can really say is it's bloodier than hell. In this one I'm going to be much more direct and honest in my description of the actual killings and the crime scene.

I don't know how the editors are going to take it or how it may be received. But to some extent I'm hoping that with the next book, when people pick it up and read it, it will scare the pants off of them.

I did not think that I was angry, but clearly anger was reflected in my writing. I did not think that I had been affected emotionally, but it was clear from my writing that I was still very emotional about the trial some six months after it ended.

That's an interesting question. I would say that in general Americans know very little about the law. It's one of those things that most of us take for granted.

I think that the mere fact that I'm doing it ought to inspire someone. In junior high school the counselor suggested that I focus on wood shop and metal shop.

Something's going to happen that's going to make us all pay attention at the type of sentences some people are serving and the conditions in which they are served.

I just did something on a show on UPN called "Girlfriends" that will be on television in February. I am actually a much better actor today than I was in 1996, believe it or not.

I think that as I continue to write, my writing I hope will become more controversial and more provocative.

I am a struggling writer. A middle-aged man with two little kids and I'm just trying to earn a living. So buy this book - or my kids will have to go to foster care.

It did not prepare me for writing or "Power of Attorney." However, what it did is that it forced me out of the DA's office. I stopped getting that county check.

In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things.

I just did something on a show on UPN called 'Girlfriends' that will be on television in February. I am actually a much better actor today than I was in 1996, believe it or not.

I suppose that one of the reasons I wrote 'In Contempt' was because of the money. After the trial I came to realize that there were things that I needed to do if I was to protect myself and my family, so there were some selfish reasons for it.

It did not prepare me for writing or 'Power of Attorney.' However, what it did is that it forced me out of the DA's office. I stopped getting that county check.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

Even a stopped clock is right twice a day.

I'm working harder than ever now, and I'm putting on my pants the same as I always have. I just get up every day and try to do a little better than the day before, and that is to run a great restaurant with great food, great wine, and great service. That's my philosophy.

Failure happens all the time. It happens every day in practice. What makes you better is how you react to it.