It's much like writing a screenplay with someone else and that's how we view it, I think.

I can't tell you how hard I worked the last year. In fact, I worked so hard that I know I can't maintain that same work level in 2001, so I've got to quit something.

I'm real bent on dialogue. I'm just a little bit crazy and when you put that along with 20 years as a criminal lawyer, it's pretty easy to come up with some interesting plots.

The law has no compassion. And justice is administered without compassion.

I suppose that one of the reasons I wrote "In Contempt" was because of the money. After the trial I came to realize that there were things that I needed to do if I was to protect myself and my family, so there were some selfish reasons for it.

I chose to go to law school because I thought that someday, somehow I'd make a difference.

That's the thing about us lawyers - if at all possible, we will consume each other.

It would have been easier to have a male protagonist, but I didn't want people to assume that Nikki Hill was me in her entirety because a lot of people just don't like me and I don't think they would be interested in reading about me, even in the fictional context.

The events of the day inspired me to become a lawyer.

In some ways I'm still recovering from the trial. My health is not as good as it ought to be. I've gone back to practicing law and it seems to have taken a toll for whatever reason.

I no longer teach law. But when I did I advised my students that they should never accept a case if it meant that by doing so you couldn't sleep at night.

I think it hurt my performance because I stopped being me. That won't ever happen again.

I began writing in the 4th grade. As a matter of fact, I produced a play for the entire school. It was about Leif Ericson and the discovery of America.

Writing is hard work, but a lot of fun, too. It allows me to live out some of my fantasies.

It's too late for that - trying to second guess it. It's over. I'm worried about how to get the kids through school and still write and practice law and take power of attorney.

It's much like writing a screenplay with someone else and that's how we view it, I think.

All I can really say is it's bloodier than hell. In this one I'm going to be much more direct and honest in my description of the actual killings and the crime scene.

I don't know how the editors are going to take it or how it may be received. But to some extent I'm hoping that with the next book, when people pick it up and read it, it will scare the pants off of them.

I did not think that I was angry, but clearly anger was reflected in my writing. I did not think that I had been affected emotionally, but it was clear from my writing that I was still very emotional about the trial some six months after it ended.

That's an interesting question. I would say that in general Americans know very little about the law. It's one of those things that most of us take for granted.

I think that the mere fact that I'm doing it ought to inspire someone. In junior high school the counselor suggested that I focus on wood shop and metal shop.

Something's going to happen that's going to make us all pay attention at the type of sentences some people are serving and the conditions in which they are served.

I just did something on a show on UPN called "Girlfriends" that will be on television in February. I am actually a much better actor today than I was in 1996, believe it or not.

I think that as I continue to write, my writing I hope will become more controversial and more provocative.

I am a struggling writer. A middle-aged man with two little kids and I'm just trying to earn a living. So buy this book - or my kids will have to go to foster care.

It did not prepare me for writing or "Power of Attorney." However, what it did is that it forced me out of the DA's office. I stopped getting that county check.

In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things.

I just did something on a show on UPN called 'Girlfriends' that will be on television in February. I am actually a much better actor today than I was in 1996, believe it or not.

I suppose that one of the reasons I wrote 'In Contempt' was because of the money. After the trial I came to realize that there were things that I needed to do if I was to protect myself and my family, so there were some selfish reasons for it.

It did not prepare me for writing or 'Power of Attorney.' However, what it did is that it forced me out of the DA's office. I stopped getting that county check.

Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

As a member of this court I am not justified in writing my private notions of policy into the Constitution, no matter how deeply I may cherish them or how mischievous I may deem their disregard.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

For me, writing is a concentrated form of thinking.

Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Writing is a dog's life, but the only life worth living.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I look for ambiguity when I'm writing because life is ambiguous.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

Writing novels is the most exciting.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

Now I'm kind of established as a director, I much prefer directing to writing.

Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.