At this point, I can't say what network would be picking it up, but I know that it would be a success.

At this point, I can't say what network would be picking it up, but I know that it would be a success.

I gotta get working, you know? I've been too busy. I've been trying my hardest, but it's really tough.

That's just the way this business works. You're a reliable commodity.

The cool part about working for Disney is that they've allowed me to be a change agent.

I usually shop at Charlotte Ruth and Bebe.

I'm recording an album. It's sort of techno mixed with garbage - you, know, intense in-your-face music.

While I'm trying to be different, I'm trying to be very conservative at this point in my career.

So a lot of me is still a little kid, and I think that kind of helps alter my sense of reality - it makes me able to just become Belle every single night.

I just got a body wave because I wanted it to look good when it was down.

I think I'm going to put together a compilation under Disney's name of my songs that I've done for them - because I've done six or seven by now! The latest was for the Princess Diaries 2 soundtrack. So that's the next thing that's coming out.

Just like Tim Robbins is very political - and obviously, Arnold Schwarzenegger must be - I want to be able to have this public personality that's considered authoritative.

And I'm working with all these great people at Sony Publishing.

You know, I'd love to do a Maxim shoot. But I'm not going to do it, because that's just stupid to do.

I also never went there when I was little because I was too busy working and traveling on national tours.

So I'll go eat places and then I'll run it off in the show.

And after I make a lot of money, I'll be able to afford running for office.

But first I want to get my master's degree at Columbia's School of International Public Affairs.

You don't need really expensive clothes to look cute.

So that's what's going on right now, and I'm looking to put out an album within the next six months.

But it's a Broadway show, so even if you're Christine in Phantom, you're still a princess. All female leads are princesses whether they're Disney princesses or not.

Because I'm not trying to throw people any curves.

In my heart of hearts, I know that whatever I do is going to have integrity, and I'm going to work really hard, and I know that fans are going to take to it.

Developing a series is a next step for me.

In the earliest days, this was a project I worked on with great passion because I wanted to solve the Defense Department's problem: it did not want proprietary networking and it didn't want to be confined to a single network technology.

I don't think I could ever do a network sitcom because the humor is often based on some trite circumstance. I don't want to be a part of a show where it's mostly about coming up with the jokes.

Parents should watch what their children watch and not use TV as a babysitter. If a show is objectionable they should turn it OFF. They should write the president of the network and tell him they are never going to watch that program again and why.

At this point, I can't say what network would be picking it up, but I know that it would be a success.

Another differentiator is that Skype is free and simple to set up, and it costs us virtually nothing for a new user to join the Skype network, which is why we can offer the service for free.

As far as Zarqawi is concerned, there is a network of extremists; it's not just Zarqawi.

If you just have a single problem to solve, then fine, go ahead and use a neural network. But if you want to do science and understand how to choose architectures, or how to go to a new problem, you have to understand what different architectures can and cannot do.

If it's the Psychic Network why do they need a phone number?

They're pretty particular about what they show. They certainly edit the scripts and have conversations with the writers about what they are and aren't willing to portray. But the writers and the network are pretty much on the same page.

My goal was to be a network correspondent by the time I was 30.

The point is not to stay marginal, but to participate in whatever network of marginal zones is spawned from other disciplinary centers and which, together, constitute a multiple displacement of those authorities.

But despite the universality of URLs, we often forget that they're not just a handy way to address network resources. They're also valuable communication tools.

I have two syndicated radio shows though United Stations Radio Network.

The local communities, through their leaders, were able to build a communications network that allowed my work here to reflect the needs and interests of the people within the 9th Congressional District. It's been an honor to do that and we did so successfully.

A society deadened by a smothering network of laws while finding release in moral chaos is not likely to be either happy or stable.

So, we come out to Los Angeles. And we met with every network. We met with show runners, directors, writers, everything. And what we had an idea for, they didn't like. And what they had an idea for, we didn't like. So, we went home.

The old boy network is still very strong and very true. Just look at the stock exchange and how many men and women are there. It is still very much run by men.

I wouldn't totally rule out doing Letterman or the Tonight Show if I had a set that I just happened to write that I thought was funny but was still appropriate for network censors. But I'm not going to go out of my way.

We had more viewers on the broadcast network than we did on the cable channel.

At MIT, I had the good fortune for seven years to teach network theory, which is basic to many disciplines, to one-third of the undergraduate student body. It was an experiment to see how high we could bring their level of understanding, and it exceeded all of my expectations.

With network shows, writers can be so protective of every syllable.

During the past few decades, modern technology, with radio, TV, air travel, and satellites, has woven a network of communication which puts each part of the world in to almost instant contact with all the other parts.

If I play my cards right, I could bring network wrestling back to TV. Unfortunately, to most people, wrestling is a laughingstock. But fortunately, I'm reaching people who otherwise wouldn't watch it.

The network and local TV angle of broadcast television has received a black eye for not properly debating within the news issues that should be debated, instead of shuffling them of to television advertising.

Inside every working anarchy, there's an Old Boy Network.