What turns me on is to walk into a sold-out venue. The audiences are so much the same as they were in the '60s. It's just an amazing thing. I can't explain it, but I hope it never stops.

Dancing, apart to music with a beat, is my legacy.

I'm just grateful to be on this planet. I have no enemies that I know of. I'm just the guy who makes happy.

My outlet is my music, and it's been this way since I was 4 years old.

What turns me on is to walk into a sold-out venue. The audiences are so much the same as they were in the '60s. It's just an amazing thing. I can't explain it, but I hope it never stops.

It takes a real soldier to stay in the music industry and live off the things that have been put before me and be able to survive all this time because it has not been easy.

I want my flowers while I'm alive.

God's got something for me. I have faith it'll be OK.

Do you realize that I have had five albums in the Top 30. Elvis and The Beatles have never done that. I had five singles in the Top 5, I mean, no one's ever done that.

When I'm onstage they know I'm honest, and I try to be as humble as I can.

Before I got in this business I was in the chicken business.

Everybody in the '80s, well, we hate rap. Now, the biggest rapper in the world... Eminem. Rap's a black thing.

Besides, at 62 years old I look like I'm about 27.

Justin Timberlake, Britney Spears all the rappers, they're doing my dances and they're making billions doing my dances. When they do that little thing they do with their hands that's The Fly and The Pony.

I compare the Twist to the electric light, The Twist is me, and I'm it. I'm the electric light.

I want people to look at a checkerboard and think of me!

Homey don't quit. What else are you gonna do? It's like those guys in the cartoon they get up in the morning, check the clock and fight all day and after it's over they check the clock and go home. That's how it goes.

Ever see a little kid walking around talking to himself? I'm the same way.

We're making a commercial Hindi film catering to all types of audiences.

I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.

Audiences always sound like they're glad to see me, and I'm damned glad to see them.

What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.

We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.

Sylvester has a great popular sense, as good as any writer I've ever worked with. He knows what audiences want to see, and what they don't want to see.

Phish and Dave Matthews really know their audiences and really treat them well.

We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.

Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright.

Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.

I don't pay attention to target audiences and therefore I often hear that I am a ratings killer, somebody who fundamentally doesn't care whether one person is watching or an entire soccer stadium.

I want to do what I want when I want to do it not be dictated to by audiences.

I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again.

For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.

When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.

I like cinema audiences. I respect them, and I talk to them just like I would anybody I know.

The difference between critics and audiences is that one is a group of humans and one is not.

Audiences like their blues singers to be miserable.

The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.

Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.

Lenny Bruce is a very moral man trying to improve the world and trying to make audiences think.

Luckily, West End audiences seem to rather like very old people.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.

Audiences are the same all over the world, and if you entertain them, they'll respond.

I've always seen myself as one of those 'show people.' My earliest memories are wanting and needing to entertain people, like a gypsy traveler who goes from place to place, city to city, performing for audiences and reaching people.

What turns me on is to walk into a sold-out venue. The audiences are so much the same as they were in the '60s. It's just an amazing thing. I can't explain it, but I hope it never stops.

We want to create these dramatic situations, whether they are real or not, to entertain audiences.

I try to address my audiences intelligently. The man in the street counts, but sometimes he forgets that he counts.

Since the goal of my programs is to show audiences how humor can both help them heal as well as deal with not-so-funny stuff, I decided to discuss the events of the previous week, the pain all of us were feeling, and how humor and some laughter might be beneficial.

I want to keep audiences off balance, so they don't know who I am or how to take me. If I duck and weave, as Frank Bruno might say, I'll have a longer shelf life.

I went on all over the States, ranting poems to enthusiastic audiences that, the week before, had been equally enthusiastic about lectures on Railway Development or the Modern Turkish Essay.