Audiences like their blues singers to be miserable.

Oh Lord, won't you buy me a Mercedes Benz.

Audiences like their blues singers to be miserable.

You know why we're stuck with the myth that only black people have soul? Because white people don't let themselves feel things.

Guess what, I might be the first hippie pinup girl.

I won't quit to become someone's old lady.

If I hold back, I'm no good. I'm no good. I'd rather be good sometimes, than holding back all the time.

I always wanted to be an artist, whatever that was, like other chicks want to be stewardesses. I read. I painted. I thought.

My father wouldn't get us a TV, he wouldn't allow a TV in the house.

I'm one of those regular weird people.

You got to get it while you can.

Texas is OK if you want to settle down and do your own thing quietly, but it's not for outrageous people, and I was always outrageous.

When I sing, I feel like when you're first in love. It's more than sex. It's that point two people can get to they call love, when you really touch someone for the first time, but it's gigantic, multiplied by the whole audience. I feel chills.

On stage I make love to twenty five thousand people; and then I go home alone.

Rock on out.

Being an intellectual creates a lot of questions and no answers.

I got treated very badly in Texas. They don't treat beatniks too good in Texas. Port Arthur people thought I was a beatnik, though they'd never seen one and neither had I.

On stage, I make love to 25,000 different people, then I go home alone.

Don't compromise yourself. You are all you've got.

All of a sudden, someone threw me in front of this rock and roll band. And I decided then and there that was it. I never wanted to do anything else.

As it gets closer and more probable, being a star is really losing its meaning.

Billie Holiday, Aretha Franklin. Now, they are so subtle, they can milk you with two notes. They can make you feel like they told you the whole universe. But I don't know that yet. All I got now is strength. Maybe if I keep singing, maybe I'll get it.

I can't talk about my singing. I'm inside it. How can you describe something you're inside of?

I have to have the 'umph.' I've got to feel it, because if it's not getting through to me, the audience sure as hell aren't going to feel it either.

I'm a victim of my own insides. There was a time when I wanted to know everything. It used to make me very unhappy, all that feeling. I just didn't know what to do with it. But now I've learned to make that feeling work for me.

I've been looking around, and I noticed something: how much you really need to be loved. Ambition isn't just a desperate quest for positions or money. It's just love - lots of love.

Playing is just about feeling. Playing isn't necessarily about misery. Playing isn't necessarily about happiness. But it's just about letting yourself feel all those things that you have already on the inside of you, but you're all the time trying to push them aside because they don't make for polite conversation or something.

Dont compromise yourself. You are all youve got.

Dont compromise your self youre all you got.

The older the grapes sweeter the wine.

My business is to enjoy and have fun. And why not if in the end everything will end right

Don't compromise yourself. You're all you've got.

We're making a commercial Hindi film catering to all types of audiences.

I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.

Audiences always sound like they're glad to see me, and I'm damned glad to see them.

What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.

We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.

Sylvester has a great popular sense, as good as any writer I've ever worked with. He knows what audiences want to see, and what they don't want to see.

Phish and Dave Matthews really know their audiences and really treat them well.

We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.

Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright.

Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.

I don't pay attention to target audiences and therefore I often hear that I am a ratings killer, somebody who fundamentally doesn't care whether one person is watching or an entire soccer stadium.

I want to do what I want when I want to do it not be dictated to by audiences.

I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again.

For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.

When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.

I like cinema audiences. I respect them, and I talk to them just like I would anybody I know.

The difference between critics and audiences is that one is a group of humans and one is not.