Having started out in theatre, I feel an impulse to do it as much as I can.

It's obvious that if you're going to play a character you need to amass information about that person and about their environment or their era that they're in and use as little or as much as necessary.

The best roles you have to fight for. You have to really want to do it and you have to go after it.

Having started out in theatre, I feel an impulse to do it as much as I can.

What we do as actors is we go through phases where you superficially learn all this information.

I enjoy all aspects of it, I don't have a preference for any medium. I think each of them has its attractions and I would hope they each inform the other in some way.

At the moment I'm doing this space movie, so I'm obsessed with physics and space travel. I know three months down the line it's gone. Then I'll be able to superficially say stuff about space.

There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that.

I don't have a burning passion to live in America per se but I would certainly like to work there.

It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.

I'd love to work in America, some of my favourite films come from America.

My wife can see always how a part affects me personally because she has to live with it.

Then I wanted the character to be feminine as opposed to effeminate. Because it's easy to be camp or queen. Anyone can do that. What's difficult is to play feminine.

I don't think they'd ever make a movie about Chuck Baker but I'd love to play Chuck Baker.

It's embarrassing sometimes, the way actors or musicians sometimes get made untouchable.

I prefer theatre but TV keeps you well known.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Make them laugh, make them cry, and hack to laughter. What do people go to the theatre for? An emotional exercise. I am a servant of the people. I have never forgotten that.

The theatre was created to tell people the truth about life and the social situation.

By obtaining a sense of its place in the unfolding drama of life, set in an ecological theatre, so we can understand why it has become one of the leading players.

Many of the Universities have very good Theatre Departments these days.

For the theatre one needs long arms... an artiste with short arms can never make a fine gesture.

Theatre director: a person engaged by the management to conceal the fact that the players cannot act.

I think theatre should always be somewhat suspect.

It's great to be in a film that's able to have people really want to become socially conscious, to walk out of the theatre and want to do something.

When the cinematograph first made its appearance, we were told that the days of the ordinary theatre were numbered.

But I think theatre in a repressive society is an immensely exciting event and theatre in a luxurious old, affluent old society like ours is an entertaining event.

The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.

I would have started the National Actors Theatre 30 years earlier.

I've been doing theatre since I was 5 years old.

I was on a founding members of the Canadian theatre movement in the late 60's till the mid 70's and performed theatre from Halifax to Vancouver and all places in between.

All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

This is a group effort. This is group theatre. This is no big star turn. You could do things with it to do that but it would just be out of kilter. This is one reason I like this play. This is a unit.

I feel that David took a risk with me. I have a sense that by starting off in the theatre and going off to do films you are seen to sell out in some way. I don't hold truck with that, but you can't stop people from feeling it.

Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.

My parents used to take me to a lot of theatre when I was young.

Film is fragmented and gets into lots of other people's hands. There are a lot of pleasures that theatre gives me. You get to perform uninterrupted.

The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.

I was prepared for the theatre, but not for the nuts and bolts.

Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.

Theatre sports is the best improv training period.

You can only do so much theatre.

I like simple things. I like to sneak in the theatre and watch movies. I'm a movie buff.

When playing a role, I would feel more comfortable, as you're given a prescribed way of behaving. So, both Facebook and theatre provide contrived settings that provide the illusion of social interaction.

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

I hate that people think going to the theatre is a special occasion. I wish people would treat it as normally as going to the cinema.

I think there is no world without theatre.

In my freshman year in high school, I went to the only public high school in Boston with a theatre program.

A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.