I don't listen to much modern composition.

We are kind of one step removed, not really in the center of things.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

I've seen the Mass For The End Of Time in concert but my brother's the more musical one really.

It's a full on job just looking for human social responsibility.

One of the books we read a few years ago that had a big effect on us was Repeated Takes by Michael Chanan.

The thing about rock is that people are not just interested in bands because of where they want to go. It's where they want to escape from that matters.

I trained as a classical guitarist but that was it.

With Dollars And Cents on the album, we had it as a band jam and I sometimes spend evenings playing with records over the top of things we were working on to see what works.

I mean, I'm in a band, we're reasonably successful, I've got a very nice suit - I'm not even a bad person- so why can't I get a shag?

The trick with computers I think, is to approach old and new things with the same reverence as you would like your favourite chair and not be seduced by the constant innovation otherwise you never do anything.

Jonny doesn't want to do TV interviews because he thinks that he comes across as an idiot.

Limits are very important.

We try to treat everywhere we play differently and that's really important.

If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object.

You should approach a sequencer like you would a Dobro guitar.

I don't listen to much modern composition.

People need to focus on bigger issues instead of whether George Bush is an idiot or not.

I don't think anything's underground anymore. And I think that's a good thing. Everything is up for grabs.

There's no point apologizing about where you come from.

I'm going to have classical piano lessons next.

With our website we didn't want people to come to our site and find out about Radiohead. We wanted them to come to our site and find out about what Radiohead are finding out about.

For me that's what's fascinating about the internet, that aggregate thing.

Our site should be like Paddington Station with a much better version of WH Smith's in it.

In Kid A and Amnesiac, the guitar becomes one more texture, difficult to separate from other textures.

When we rehearse, we're always trying to aim for something else. But we never quite succeed in getting there.

Coltrane would do what you'd get a Roland Pro Tools module to do but with a group of jazz musicians.

Motion Picture Soundtrack on Kid A was another Coltrane inspiration.

Bill Withers and Curtis Mayfield, those are the people who informed me in playing the bass.

We stuck the record head so it kept on recording over and over on top of itself and played keyboard notes into it to create this ghost repetition melody.

The guitar is a much more efficient machine than a computer. More responsive.

My page is junk, because I hate putting anything to do with me on the site, it just feels wrong.

Phil is a real drummer's drummer.

Warp was important to Thom about two years ago when he was looking for different sounds.

You should approach technological things in a nostalgic way.

Manners require time, and nothing is more vulgar than haste.

Every time I went out there I performed the best that I could and it was time to step back and clear my mind.

We should not use special budget procedures to jam through legislation to drill in the Arctic Refuge. This topic is too important to the public to address it in such a back-door manner. We should be having a full, open discussion of the issue during an energy debate.

My experience is the White House is not a very good place to coordinate intelligence, much less to integrate it.

I don't really know what it is about vampires that makes them such a powerful symbol, metaphor, whatever in people's consciousness. But I do know they're tremendously powerful. I mean, there's a vampire on 'Sesame Street.' And Count Chocula. I don't know why it's so powerful.

I was just a kid and I didn't have a dad. That's hard, because when you're a kid, you blame yourself for everything. And I blamed myself for him not being around, for my parents not being together.

Having kids certainly gets me to ask the question, 'Who is the adult here, and who is the kid?'

Take up our quarrel with the foe: To you from falling hands we throw.

Hiding from your history only shackles you to it. Instead face it and free yourself.

There is nothing more important to true growth than realizing that you are not the voice of the mind - you are the one who hears it.

It doesn't matter how deep into a posture you go, what matters is who you are when you get there.

I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them.

I feel my knees changing - like, why do I have this pain when I'm running on the treadmill? What's going on with my lower back when I wake up in the morning? I just feel changes. And I'm definitely fearful in a very vain manner about my body ageing.

Victims make excuses. Leaders deliver results.