You should approach a sequencer like you would a Dobro guitar.

We are kind of one step removed, not really in the center of things.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

I've seen the Mass For The End Of Time in concert but my brother's the more musical one really.

It's a full on job just looking for human social responsibility.

One of the books we read a few years ago that had a big effect on us was Repeated Takes by Michael Chanan.

The thing about rock is that people are not just interested in bands because of where they want to go. It's where they want to escape from that matters.

I trained as a classical guitarist but that was it.

With Dollars And Cents on the album, we had it as a band jam and I sometimes spend evenings playing with records over the top of things we were working on to see what works.

I mean, I'm in a band, we're reasonably successful, I've got a very nice suit - I'm not even a bad person- so why can't I get a shag?

The trick with computers I think, is to approach old and new things with the same reverence as you would like your favourite chair and not be seduced by the constant innovation otherwise you never do anything.

Jonny doesn't want to do TV interviews because he thinks that he comes across as an idiot.

Limits are very important.

We try to treat everywhere we play differently and that's really important.

If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object.

You should approach a sequencer like you would a Dobro guitar.

I don't listen to much modern composition.

People need to focus on bigger issues instead of whether George Bush is an idiot or not.

I don't think anything's underground anymore. And I think that's a good thing. Everything is up for grabs.

There's no point apologizing about where you come from.

I'm going to have classical piano lessons next.

With our website we didn't want people to come to our site and find out about Radiohead. We wanted them to come to our site and find out about what Radiohead are finding out about.

For me that's what's fascinating about the internet, that aggregate thing.

Our site should be like Paddington Station with a much better version of WH Smith's in it.

In Kid A and Amnesiac, the guitar becomes one more texture, difficult to separate from other textures.

When we rehearse, we're always trying to aim for something else. But we never quite succeed in getting there.

Coltrane would do what you'd get a Roland Pro Tools module to do but with a group of jazz musicians.

Motion Picture Soundtrack on Kid A was another Coltrane inspiration.

Bill Withers and Curtis Mayfield, those are the people who informed me in playing the bass.

We stuck the record head so it kept on recording over and over on top of itself and played keyboard notes into it to create this ghost repetition melody.

The guitar is a much more efficient machine than a computer. More responsive.

My page is junk, because I hate putting anything to do with me on the site, it just feels wrong.

Phil is a real drummer's drummer.

Warp was important to Thom about two years ago when he was looking for different sounds.

You should approach technological things in a nostalgic way.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.