There will be some tracks on the next album which that will consist of mostly noise and feedback, whereas others may just have guitar parts and samples.

We were like psychedelic folk combined with Sonic Youth's noise.

I'm open to getting more equipment, but I really won't have time to look into that until after the tour.

Micing it from two different angles in front of the speaker sounds huge, and it's so simple.

We're approaching things quite differently this time, but it will still sound like Marilyn Manson.

I have about nine guitars in all, so obviously I'm into collecting.

But the exposure we got by doing the stint with Nine Inch Nails brought us a lot of attention.

Nobody seems to play Yamaha electrics, but it's the best guitar I own.

Trent likes to record guitars direct, whereas I've always preferred playing through an amplifier.

I just saw metal as another tool for me to use.

We'll only be playing four new songs live, but all the material for the next album is basically finished.

Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.

It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.

I'd played in about four or five bands before we started up, only a couple of which did club dates.

I'm happy with the way everyone presents themselves onstage.

Each member of the band has varied influences, and the same diversity is reflected in our fanbase.

It's great, because different groups of kids can laugh at each other and still enjoy the show.

There are kids out there that are into Iron Maiden and others who are strictly into industrial music, but they come for the same reason; they all like us and they different things out of the band's music.

It all begins with the initial tone coming from the cabinet, but EQ at the board is very important.

Experimenting with different sounds is great, but when it comes down to it, you're still playing a guitar.

There will be some tracks on the next album which that will consist of mostly noise and feedback, whereas others may just have guitar parts and samples.

We're playing the same songs, the same way, that we have for years.

What you hear about the band is always going to be more disturbing than any particular song.

If you make it sound too much like a synth, it will just sound like a guitar part played on a synth.

It was a good chance for us to play for people who would never have heard us otherwise.

I even have a Harmony Rocket and a Stratocaster with a scalloped neck back in Florida.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.

I don't really know why I chose bass except that it was different than guitar.

Except for a few guitar chords, everything I've learned in my life that is of any value I've learned from women.

I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.

I just like simplicity. I like simple songs, I like simple chords, simple vocals, simple lead guitar. I just like simplicity. That's just the way I like it.

I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.

Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.