The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.

The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.

And there are no stars and that you're never really sure who's doing what and what voice is what and, you know what I mean? It's supposed to be quite elusive.

As a musician usually music is your way out.

As soon as it sounds fine, I'm on to the next thing, man.

When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this.

I hope we can keep doing it this way - making music and art that are pure products of our influences while not really having to let the whole celebrity side of it get in the way. Then maybe more virtual bands will come out and do the same thing.

I was approached by Oxfam to go to Mali as their ambassador and get involved in their various initiatives out there. But I felt that was missing the point of using me, a musician.

It's not like my old self - I'm not in character anymore, I'm me. I'm not hiding behind that anymore.

Being in Blur has allowed me to travel and hear the music that's being made all over the world.

The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity obsessed culture to move around genres and sort of change you ideas, change your face, you know?

I can't be bothered anymore about giving songs titles.

The things that make me happy most are my family and working.

You know, there are many alter egos and Gorillaz is a collective of alter egos, really. I think anyone who gets involved in it has to sort of accept that nothing is really as it seems.

No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less.

I'm not really one of those people who believes that if you're a musician you can just leave that behind and start getting into politics.

The whole period has taught me that I enjoy being part of an ensemble rather than just a front man. Don't get me wrong - I enjoy that too, but I get more enjoyment out of really listening to everyone.

More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.

China is one of those vast, continental conglomerates that... I mean, if they were to start a tourist trade in China, they'd just bus people in from another province, you know what I mean? They're very self-contained.

I don't need to be a frontman all the time, and in fact, the older I get, the less of an urge it is inside me to play that role. I've still got it inside me, and I do occasionally allow it out.

I like to go to Africa purely with something to do. I'm not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it's not me at all. So I like to hang out and you know, really get to know people and try and do something that resonates with them.

I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.

I want to be a better person in every aspect. I really don't feel I've in anyway fulfilled my potential in every area of my life. But I'm optimistic.

I'm a working musician, so it's what I do. I kind of always have lots of plates spinning, and it's the ones that keep spinning the longest that I end up doing.

I'm not a monarchist. But I'm English. And I have an irrational emotion for my country.

If you don't see something as a career but as an important part of your life, you don't know how you're going to feel about it.

It always struck me that Africa was, in a strange way, a futuristic place and had elements and vibes and spirits that were going to inform the future. Africa Express is an attempt to engage that power outside Africa, and for everyone to benefit from it.

Music is something that should speak for itself, straight from the heart. It took me a long time to understand that.

What you learn from working with other performers and musicians is invaluable, really, and can only help you grow. I mean, if you spend your whole life focusing on yourself, you're not really learning much.

Whenever you're writing something that's reflective, you have to put yourself through some sort of ordeal just to understand the way you're feeling.

I want to be a better person in every aspect. I really dont feel Ive in anyway fulfilled my potential in every area of my life. But Im optimistic.

I'm not up on today's television for children, because it's mostly cartoons that don't seem to interest me.

The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.

I was unable to sleep and I would stay up and draw these little cartoons. Then a friend showed them around. Before I knew it I was a cartoonist.

My intended audience was everybody. I just want to make cartoons for human beings.

I have no idea what readership is of written editorials, but it doesn't come anywhere close to the readership of editorial cartoons.

Why does this person who is sitting behind a desk and never watches cartoons is arguing about what cartoons should be like. Its so creepy realizing that this person is a lunatic.

I started doing cartoons when I was about 21. I never thought I would be a cartoonist. It happened behind my back. I was always a painter and drawer.

At one time Tribune Syndicate emptied out their storeroom. They put tables full of original cartoons down in the lobby and said take one if you want one. The comics were simply a burden to them.

There is too much illustrating of the news these days. I look at many editorial cartoons and I don't know what the cartoonists are saying or how they feel about a certain issue.

Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.

I would like to thank the people who encouraged me to draw army cartoons at a time when the gag man's conception of the army was one of mean ole sergeants and jeeps which jump over mountains.

I first pitched the idea of doing a series of cartoons based on Bible stories. They didn't much like it.

I've never canceled a subscription to a newspaper because of bad cartoons or editorials. If that were the case, I wouldn't have any newspapers or magazines to read.

I don t think cartoons are only for kids, but I think kids will love anything as long as it's visually interesting.

I see myself as an artist who happens to do cartoons.

I realized that people make cartoons for a living. It had never dawned on me that you could do this as a career.

And, uh, I've got about six thousand cartoons up there, also books and papers.

Making cartoons means very hard work at every step of the way, but creating a successful cartoon character is the hardest work of all.