I brought samples in, because I didn't have any comic book samples, and I brought all these illustrations that I had influenced by Norman Rockwell and a couple of the other big boys. That's all I had, that's all I brought.

What made me want to go into doing comics was I was working as a laborer with my father, a gardener.

There were eleven publishers in New York City, and when it was all over, I think it went down to four or five, and then finally just the three of them, the Big Three.

Then is when I decided to take it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book.

I designed all the characters, anyway, and Frank Doyle was doing all the writing. I didn't have any more input on what direction they were going to go with Josie.

That's the problem today: Who is the creator?

I started working with Timely in 1946. Stan Lee hired me.

Because they feel that without them telling you to do this, you wouldn't have had the characters that you have, you wouldn't have the book that you have.

The first book that they gave me was Jeannie, a young teenager. I went on with her maybe ten books.

Then he took me off Jeannie and he gave me Millie the Model. That was a big break for me. It wasn't doing to well and somehow when I got on it became quite successful.

Once publishers got interested in it, it was a year in developing, and it was launched, I think, in 1960. But Willie Lumpkin didn't last long - it only last a little better than a year, maybe a year and a half.

I brought samples in, because I didn't have any comic book samples, and I brought all these illustrations that I had influenced by Norman Rockwell and a couple of the other big boys. That's all I had, that's all I brought.

After about twenty issues of Josie, they decided to pay me.

When I found this opportunity to answer the ad, I got the job and I've been there ever since.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

I didn't have a boyfriend until I was 17. There were boys at school that I would find out later had a crush on me but I was too shy to talk to them.

When it comes to boys and her weight, I think Ellenor is much more conservative than I am, and she has not had the dialogue I have had about my weight.

Americans are big boys. You can talk them into almost anything. Just sit with them for half an hour over a bottle of whiskey and be a nice guy.

I keep fit by running after my three boys all day.

Looking back, I think we were all quite mature, surprisingly responsible. In earlier wars, boys of our age had just gone off to raise hell or enlist or both, but we stayed dutifully at our desks doing tomorrow's homework.

Of course The Beach Boys will be camp.

The moral turpitude of the boys of today appears to center in their failure to concentrate on any particular objective long enough to obtain their maximum results.

When I first started editing GQ, it gave the impression of being, and in fact was, a gay magazine. There were female models in it and there were women on the cover, but the boys were always much, much more beautiful than the girls.

When our boys come home from France, we will have the hags flung out.

The army teaches boys to think like men.

I was a very observant child. The boys in my books are based on boys in my neighborhood growing up.

As flies to wanton boys, are we to the gods; they kill us for their sport.

I beg you to look at the promising boys and beautiful girls in your homes and in your communities, and then you will not put these temptations in their way.

Alexander at the head of the world never tasted the true pleasure that boys of his own age have enjoyed at the head of a school.

Now, being a girl, I was ashamed of my body and my lack of strength. So I tried to be a man. I shot, rode, jumped, and took part in all the fights of the boys.

Dancing on 'Dancing With The Stars' really broadened my fan base. I jumped off the stage backwards one week, and so many women come up to me now and say, 'You're so brave. I can't believe you put yourself out there like that'. If that inspires some girl out there, then great, because boys aren't the only ones who get to have fun. We get to have fun too.

There is many a boy here today who looks on war as all glory, but, boys, it is all hell.

Composers should write tunes that chauffeurs and errand boys can whistle.

We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.

You know, The Beach Boys' image is kinda like a group Doris Day, you know what I mean?

Mutual funds give people the sense that they're investing with the big boys and that they're really not at a disadvantage entering the stock market.

I came from a big family - two brothers and two sisters. So, there were always a ton of boys around and a ton of girls around. So, I grew up comfortable with both sexes.

I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible.

Boys will be boys, and so will a lot of middle-aged men.

Boys have a tendency to jump around a lot more than girls. Boys have that desire to want to dunk way more than girls do. It just never seemed like something we could truly fathom and do.

The Hardy Boys burned me out. I was recharging my batteries. It was time to return to work, but it was tough because my visibility was low.

But I think boys ultimately are easier than girls.

Corey feldman and I did sneak into the screening room one day during Lost Boys.

The Scoutmaster teaches boys to play the game by doing so himself.

No one told me about boys. I had to figure it out myself. The first thing I learned was that sometimes they grow slower than women mentally.

My only friends were boys, and I was just one more of them.

I have twin boys, 12, and a daughter, 17.

The Blind Boys are truly the deepest well of American musical heritage you can discover.

Youth is an amazing thing: I think back on when we did The Lost Boys, and I didn't think I could do anything wrong.