I see a lot of movies. I love films as a spectator, and that's never obscured by the part of me that does the work myself. I just love going to the movies.

I hate wasting people's time.

If people take an interest in you and they think there's half a chance, they might hang on. It's dreadful.

I made the film in spite of Harvey, not because of Harvey.

I suppose I have a highly developed capacity for self-delusion, so it's no problem for me to believe that I'm somebody else.

When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.

My curiosity sustains me for the period of the shoot.

There must've been some part of me that wanted to make my mark. But there was never a defining moment.

Many years ago, I really didn't know where the next work was coming from.

At a certain age it just became apparent to me that this was probably the work that I would have to do.

I was a savage for so many years of my life. There was some seed of determination in me that I was not conscious of. I was mostly consciously getting into trouble and drunk.

The whole thing of weight, I guess it's because there is a wider fascination we all have with weight.

Everybody has to know for themselves what they're capable of.

I think some actors thrive on working at a much greater pace than I do.

I feel less often compelled to do the work than I was in the past.

I find it easier to work when it's quiet.

The last time I was on a small set would've been probably My Left Foot.

I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.

I see a lot of movies. I love films as a spectator, and that's never obscured by the part of me that does the work myself. I just love going to the movies.

Making a film, setting it up and getting it cast and getting it together, is not an easy thing.

There's nothing worse than finding yourself in a situation, a very demanding piece of work, and knowing that you're not a true ally to the person who's in charge of all that.

You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.

Being at the centre of a film is a burden one takes on with innocence the first time. Thereafter, you take it on with trepidation.

I don't know what impression you might have of the way I live. I live in a quiet place. I do not live as a hermit, though other people would prefer it if I did.

How people are around a director, it really does affect everything, every detail of the life of the movie.

I'm very often still very much alive for that other being and that other world long after the film is finished.

I suppose the place where I live is fairly remote, it would seem remote to some people.

I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.

We assume that celebrities have it easy and so love to watch them having to endure a bit of hardship.

I love Nautilus and stretching. The results are immediate, and that gives me the motivation to continue.

I am a ordinary teenager. I fall in love like everyone else.

I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me.

The essential elements of giving are power and love - activity and affection - and the consciousness of the race testifies that in the high and appropriate exercise of these is a blessedness greater than any other.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I love living on that stage. Without that, I'd die.

I love my DSL, but I love my WiFi more. And I probably get on the Internet 40 percent to 50 percent more because of the combination of those technologies.

But I love New York. I used to set my alarm clock when I was there, and get up at 4am and get a coffee, just because I could.

I love children and I love men, but I can't commit to either for the rest of my life.

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

The wise are wise only because they love. The fool are fools only because they think they can understand love.

We can recognize the dawn and the decline of love by the uneasiness we feel when alone together.

Love is a mutual self-giving which ends in self-recovery.

People react to fear, not love; they don't teach that in Sunday School, but it's true.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.

There is love there. And then there's times when I can't even stomach Simon. You don't have to sit next to him. That's all I have to say.

When I see children, I see the face of God. That's why I love them so much. That's what I see.

One can love a child, perhaps, more deeply than one can love another adult, but it is rash to assume that the child feels any love in return.