I suppose the place where I live is fairly remote, it would seem remote to some people.

I hate wasting people's time.

If people take an interest in you and they think there's half a chance, they might hang on. It's dreadful.

I made the film in spite of Harvey, not because of Harvey.

I suppose I have a highly developed capacity for self-delusion, so it's no problem for me to believe that I'm somebody else.

When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.

My curiosity sustains me for the period of the shoot.

There must've been some part of me that wanted to make my mark. But there was never a defining moment.

Many years ago, I really didn't know where the next work was coming from.

At a certain age it just became apparent to me that this was probably the work that I would have to do.

I was a savage for so many years of my life. There was some seed of determination in me that I was not conscious of. I was mostly consciously getting into trouble and drunk.

The whole thing of weight, I guess it's because there is a wider fascination we all have with weight.

Everybody has to know for themselves what they're capable of.

I think some actors thrive on working at a much greater pace than I do.

I feel less often compelled to do the work than I was in the past.

I find it easier to work when it's quiet.

The last time I was on a small set would've been probably My Left Foot.

I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.

I see a lot of movies. I love films as a spectator, and that's never obscured by the part of me that does the work myself. I just love going to the movies.

Making a film, setting it up and getting it cast and getting it together, is not an easy thing.

There's nothing worse than finding yourself in a situation, a very demanding piece of work, and knowing that you're not a true ally to the person who's in charge of all that.

You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.

Being at the centre of a film is a burden one takes on with innocence the first time. Thereafter, you take it on with trepidation.

I don't know what impression you might have of the way I live. I live in a quiet place. I do not live as a hermit, though other people would prefer it if I did.

How people are around a director, it really does affect everything, every detail of the life of the movie.

I'm very often still very much alive for that other being and that other world long after the film is finished.

I suppose the place where I live is fairly remote, it would seem remote to some people.

I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.

There is no executive order; there is no law that can require the American people to form a national community. This we must do as individuals and if we do it as individuals, there is no President of the United States who can veto that decision.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Many are needed to plant and water what has been planted now that the faith has spread so far and there are so many people... No matter who plants or waters, God gives no harvest unless what is planted is the faith of Peter and unless he agrees to his teachings.

DJs and people in the street know what they like.

People who keep stiff upper lips find that it's damn hard to smile.

Some people are directors and I think they should stay behind the camera.

We dominated Survivor - there is no way we would not dominate that, too. I can see it already, us making deals with people. That's the best part, and with the Race, it would be even more fun because I've got a lot of tricks up my sleeve.

I'm getting a wider circle of fans now. More women, more middle class people.

We must support initiatives that provide clear, concrete measures and milestones that our troops need for defeating the insurgency, building up Iraqi security forces, and handing over Iraq to the Iraqi people.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

Well concerning the world records that I did, I think it helps a lot to me, yeah. I think it's a very individual thing because I heard some people say, like, oh I don't like it at all. But I definitely, for me it really made a big difference.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I hate wasting people's time.

Religions get lost as people do.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

The people of England are the most enthusiastic in the world.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

My theory is if you have a religion, it's a good one. Because some people don't have any at all.

It's sometimes shocking to find out what people really believe in.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Rock and rollers can get you the youth buzz, and younger people are fanatical readers.