Although, this is often used with negative connotations, I see ideology as an inherent part of culture.

Although, this is often used with negative connotations, I see ideology as an inherent part of culture.

Every artistic expression is either influenced by or adds something to politics.

When I was a boy, unconsciously, spontaneously I learned the art of telling ironic stories.

Comedy makes the subversion of the existing state of affairs possible.

It is hard for power to enjoy or incorporate humour and satire in its system of control.

Real socialism is inside man. It wasn't born with Marx. It was in the communes of Italy in the Middle Ages. You can't say it is finished.

Our homeland is the whole world. Our law is liberty. We have but one thought, revolution in our hearts.

I felt like an extraordinary hero. I was only five or six and I had the whole of life in my hands. Even if I had been driving the carriage of the sun I could not have felt any better.

All forms of power - even based on the consensus of the democratic system - react when they are being attacked, or when those who exercise power become a target.

With comedy I can search for the profound.

Nevertheless, the mode, the justification, and all the games involved in this war were dishonest.

Even before Europe was united in an economic level or was conceived at the level of economic interests and trade, it was culture that united all the countries of Europe. The arts, literature, music are the connecting link of Europe.

We thought the church had withdrawn from interfering in Italian politics... but instead there is a terrible resurgence. These are ugly signs for freedom of expression.

Know how to live the time that is given you.

It is extremely dangerous to talk about limits or borders. It is vital, instead, that we remain completely open, that we are always involved, and that we aim to contribute personally in social events.

In a way, the American side descended to Saddam's level, which happens often in these types of circumstances. That is why the people in Iraq do not accept the current state of affairs.

A theatre, a literature, an artistic expression that does not speak for its own time has no relevance.

Culturally, I have always been part of the proletariat. I lived side by side with the sons of glassblowers, fishermen and smugglers. The stories they told were shaper satires about the hypocrisy of authority and the middle classes, the two-facedness of teachers and lawyers and politicians. I was born politicized.

Every time you touch those who have power over the media, they seek to stop you.

For some time it's been my habit to use images when preparing a speech: rather than write it down, I illustrate it.

I am the jongleur. I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the big shots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and... pssss... they deflate.

It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot.'

It's not bad at all, getting a Nobel and making so many old fossils explode with rage.

Laughter does not please the mighty.

Satire can always be found everywhere. A people without love for satire is a dead people.

We had extremely democratic town councils in medieval Italy which knew the value of working together, and every now and then, down the centuries, this spirit returns.

Blush at your faults.

It is extremely dangerous to talk about limits or borders. It is vital instead that we remain completely open that we are always involved and that we aim to contribute personally in social events.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.

Mr. Speaker, genocide is the most potent of all crimes against humanity because it is an effort to systematically wipe out a people and a culture as well as individual lives.

When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me.

The question was heatedly debated of how much Western culture should be brought into China.