It is hard for power to enjoy or incorporate humour and satire in its system of control.

Although, this is often used with negative connotations, I see ideology as an inherent part of culture.

Every artistic expression is either influenced by or adds something to politics.

When I was a boy, unconsciously, spontaneously I learned the art of telling ironic stories.

Comedy makes the subversion of the existing state of affairs possible.

It is hard for power to enjoy or incorporate humour and satire in its system of control.

Real socialism is inside man. It wasn't born with Marx. It was in the communes of Italy in the Middle Ages. You can't say it is finished.

Our homeland is the whole world. Our law is liberty. We have but one thought, revolution in our hearts.

I felt like an extraordinary hero. I was only five or six and I had the whole of life in my hands. Even if I had been driving the carriage of the sun I could not have felt any better.

All forms of power - even based on the consensus of the democratic system - react when they are being attacked, or when those who exercise power become a target.

With comedy I can search for the profound.

Nevertheless, the mode, the justification, and all the games involved in this war were dishonest.

Even before Europe was united in an economic level or was conceived at the level of economic interests and trade, it was culture that united all the countries of Europe. The arts, literature, music are the connecting link of Europe.

We thought the church had withdrawn from interfering in Italian politics... but instead there is a terrible resurgence. These are ugly signs for freedom of expression.

Know how to live the time that is given you.

It is extremely dangerous to talk about limits or borders. It is vital, instead, that we remain completely open, that we are always involved, and that we aim to contribute personally in social events.

In a way, the American side descended to Saddam's level, which happens often in these types of circumstances. That is why the people in Iraq do not accept the current state of affairs.

A theatre, a literature, an artistic expression that does not speak for its own time has no relevance.

Culturally, I have always been part of the proletariat. I lived side by side with the sons of glassblowers, fishermen and smugglers. The stories they told were shaper satires about the hypocrisy of authority and the middle classes, the two-facedness of teachers and lawyers and politicians. I was born politicized.

Every time you touch those who have power over the media, they seek to stop you.

For some time it's been my habit to use images when preparing a speech: rather than write it down, I illustrate it.

I am the jongleur. I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the big shots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and... pssss... they deflate.

It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot.'

It's not bad at all, getting a Nobel and making so many old fossils explode with rage.

Laughter does not please the mighty.

Satire can always be found everywhere. A people without love for satire is a dead people.

We had extremely democratic town councils in medieval Italy which knew the value of working together, and every now and then, down the centuries, this spirit returns.

Blush at your faults.

It is extremely dangerous to talk about limits or borders. It is vital instead that we remain completely open that we are always involved and that we aim to contribute personally in social events.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

This means that to entrust to science - or to deliberate control according to scientific principles - more than scientific method can achieve may have deplorable effects.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

Plan Colombia was supposed to reduce Colombia's cultivation and distribution of drugs by 50 percent, but 6 years and $4.7 billion later, the drug control results are meager at best.

Control of vibrato helps your musical expression.

Is anarchism desirable? Well, who does not seek freedom? What man, unless willing to declare himself in bondage, would care to call any control agreeable? Think about it!

The transfer is a monumental occasion as the Iraqi people take control of their government and their future and forge ahead with creating a society governed by the tenets of life, liberty and freedom.

Let's say there are 500 sons and daughters like you in each state. Then we could control the government.

Until the control of the issue of currency and credit is restored to government and recognized as its most conspicuous and sacred responsibility, all talks of the sovereignty of Parliament and of democracy is idle and futile.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves.

It's frustrating not to have more control over your material.

This is the law of God by which He makes His way known to man and is paramount to all human control.

I'm very excited to see where the characters and their relationships go. But in the end, it really boils down to the people who have more power than me, who control the money.

Anger is a momentary madness, so control your passion or it will control you.

But in a broader sense, when I have more control, I want to expose people to new ideas.

My definition of success is control.

Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.