One of the rules I try to follow is that normal people are going to be involved even in heroic events.

My first duty to write a gripping yarn. Second is to convey credible characters who make you feel what they feel. Only third comes the idea.

We already live a very long time for mammals, getting three times as many heartbeats as a mouse or elephant. It never seems enough though, does it?

When it comes to privacy and accountability, people always demand the former for themselves and the latter for everyone else.

My education and background thoroughly inform my writing.

Anyone who wants simple, pat stories should buy another author's product. The real universe ain't that way, and neither are my fictive ones.

The worst mistake of first contact, made throughout history by individuals on both sides of every new encounter, has been the unfortunate habit of making assumptions. It often proved fatal.

It is said that power corrupts, but actually it's more true that power attracts the corruptible. The sane are usually attracted by other things than power.

I would normally never set out to write a trilogy.

But honestly, if you do a rigorous survey of my work, I'll bet you'll find that biology is a theme far more often than physical science.

In the book, America had already been weakened by bio terror plagues before waves of selfish violence took down the rest. But the real enemy was the kind of male human being who nurses fantasies of violent glory at the expense of his fellow citizens.

Why must conversions always come so late? Why do people always apologize to corpses?

Predicting has a spotty record in science fiction. I've had some failures. On the other hand, I also predicted the fall of the Berlin Wall and the rise of fundamentalist Islam... and I'm not happy to be right in all of those cases.

Above all, TRIBES is fun, and even kind of sexy... in that every round features an Opportunity for Reproduction, which is the main aim of the game, as it is in most of Nature.

Self-righteous people can talk themselves into forgetting they are part of a civilization. They can then feed on that culture, bringing it down. It's happened many times in the past. It could happen to us.

When I begin a book, I inevitably discover many things along the way, about the characters, their past histories and the political intrigues that surround them. This discovery process is vital, and I would not prejudice it by deciding too much in advance.

I find humans tremendously interesting.

Only a knowledgeable, empowered and vocal citizenry can perform well in democracy.

Fortunately, human beings are remarkably diverse models to work from.

There's no doubt that scientific training helps many authors to write better science fiction. And yet, several of the very best were English majors who could not parse a differential equation to save their lives.

I like to be surprised. Fresh implications and plot twists erupt as a story unfolds. Characters develop backgrounds, adding depth and feeling. Writing feels like exploring.

One of the rules I try to follow is that normal people are going to be involved even in heroic events.

But it is a delightful challenge to try to depict interesting aliens.

Change is the principal feature of our age and literature should explore how people deal with it. The best science fiction does that, head-on.

She had called in the debt that parents owe a child for bringing her, unasked, into a strange world. One should never make an offer without knowing full well what will happen if it is accepted.

Only people with full stomachs become environmentalists.

Self awareness is probably overrated. A complex, self regulating system doesn't need it in order to be successful, or even smart.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

I've done a lot of Super Bowls and appeared in a lot of big, big events and places and the Masters and what have you, but there was nothing as intimidating as speaking with Billy Graham.

Big shows are more like events and small shows are more like traditional gigs.

I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.

We not only interpret the character of events... we may also interpret our interpretations.

Every person, all the events of your life are there because you have drawn them there. What you choose to do with them is up to you.

Human beings are accustomed to think of intellect as the power of having and controlling ideas and of ability to learn as synonymous with ability to have ideas. But learning by having ideas is really one of the rare and isolated events in nature.

An author who sets about to depict events of the past that have run their course is suspected of wishing to avoid the problems of the present day, of being, in other words, a reactionary.

It seems proper, at all events, that by an early enactment similar to that of other countries the application of public money by an officer of Government to private uses should be made a felony and visited with severe and ignominious punishment.

Of history, how little do we know by personal contact; we have lived a few years, seen a few men, witnessed some important events; but what are these in the whole sum of the world's past.

I, not events, have the power to make me happy or unhappy today. I can choose which it shall be. Yesterday is dead, tomorrow hasn't arrived yet. I have just one day, today, and I'm going to be happy in it.

The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order the continuous thread of revelation.

And I realized that there was no sports reporter, so I started covering sporting events.

Evil events from evil causes spring.

The reporting of news has to be understood as propaganda for commodities, and events by images.

The decathlon includes ten separate events and they all matter. You can't work on just one of them.

We are the only beings on the planet who lead such rich internal lives that it's not the events that matter most to us, but rather, it's how we interpret those events that will determine how we think about ourselves and how we will act in the future.

Which suggests something about media and war: it's not just that events happen and the media documents and presents them. There is a third element: what the public is ready to accept, what the public wants to know.

All strange and terrible events are welcome, but comforts we despise.

The concept of reason itself appears as an artificial attempt to separate intellectual powers from the frustrations, emotions, and accidents which cause events; the concept of reason is viewed as facade to prevent change.