In the music industry, we value large success. I realized that while I would like that, that it's not what my writing is about. And if I start making it about that, it becomes impure.

I've written several deeply personal songs this year, which I really love. Some of them came out of intense sadness. This has been an extremely difficult year for me.

I have a musical called Goodbye and Good Luck, based on a Grace Paley short story. I also have King Island Christmas, and there are 20 different productions of it this year.

I don't like to produce albums. I hate producing albums, as a matter of fact, because I'm an obsessed mixer and I can't leave it alone.

As time goes by, I realize that I do trust the wind. And I often write my songs for myself.

It's an interesting line that I walk. The AIDS crisis has done a lot for my songs and made them proliferate, and my songs have contributed a lot to that cause as well.

I may not be the most famous songwriter in the world, but you know a David Friedman song when you hear it. It took me a long time to appreciate that.

When my writing really started to take off was when I made a decision that I would write only what I wanted to write, and if 10 people wanted to hear it, that's fine.

Corn ethanol can help in the short term, but it has serious limitations, and none of this is going to work if we don't dramatically improve the efficiency of our cars and trucks.

I'm not comfortable singing in front of people yet. That's going to take another 100 performances.

As a person, I'm not that hopeful, but somehow the hopeful part of me reveals itself through my songs.

There is no seam between my songs and myself-they really are me. It's not like I'm performing; I'm just singing stuff that I really believe.

The direct use of force is such a poor solution to any problem, it is generally employed only by small children and large nations.

I've been doing a lot of studying singing, and I'm thinking of recording an album containing all my old war horses and putting out a songbook at the same time.

I write and direct the Duke University Children's Hospital Benefit every year.

I fought for years and spent a fortune fighting and never got anywhere.

When I got to Broadway, I conducted five Broadway shows.

I'm trying to have everything that I put into the world be something that makes a difference in the way I want to make a difference.

I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.

I was talking to my spiritual advisor. I got a letter from somebody who said that they were about to kill themselves, but they listened to a song of mine and it saved their lives.

Composition is definitely what I'm born to do, and it came last.

In the music industry, we value large success. I realized that while I would like that, that it's not what my writing is about. And if I start making it about that, it becomes impure.

I'm not totally altruistic. I've always had great career ambitions. But it has to come out in an organic way. If you push yourself out beyond where you are supposed to be, there's this pressure.

It sometimes feels like I'm not doing anything.

My first career was as a coach and a teacher.

I think of my songs as there to be something to move people emotionally.

I've been doing my big theater projects, which take years, and writing a song here and there.

I have been writing since I was about 20, and at first I wrote in secret and never showed anybody. I was very concerned about making a living, so I conducted.

My career keeps shifting; I keep doing the next thing and it keeps growing.

I publish my own music. I'm creating my own songbook. It works that way for me; I'm very independent.

I wanted to produce Nancy LaMott's albums, so I created my own record company.

Songwriting is the most terrifying thing to me, because you are really laying your heart out there.

For Hunchback, we needed this live, gigantic choir. So we went to London and said, This is Disney! I need singers who can sing high D's, hold them for 18 seconds, and do it 60 times!

The direct use of force is such a poor solution to any problem it is generally employed only by small children and large nations.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.