I didn't really escape that gravity until I moved 300 miles south to go to college at 18, where authorship no longer seemed something liable to induce vengeful punishment.

My faith, inasmuch as I have any, is more like a kind of Joseph Campbell thing, and even that frequently finds itself tested to oblivion in siren waters.

In some ways it's taken me decades to come clean and make honest work - and still to this day, sometimes I find myself wanting to hide behind my work and deny the more biographical aspects.

So why sign your name in blood for more? It seemed like a sensible arrangement for me. I didn't sell large numbers of records and the record company paid advances they rarely recouped.

I feel like I'm stepping into a place of spiritual contemplation every time I enter a studio; it's always had a certain magic to me that has never worn off with familiarity.

I didn't really escape that gravity until I moved 300 miles south to go to college at 18, where authorship no longer seemed something liable to induce vengeful punishment.

If you feel driven and compelled to make your work and to be fiercely original and have something unique to say, in a compelling way, then chances are the helpers will be there for you the doors will open some, the ice will crack.

Now I'm having to live with sales of around 50,000 per album - but I'm pretty content with my place in the general scheme of things, even if it's meant I don't drive a fancy car and can't afford grand vacations.

I don't know to what extent someone can BECOME an artist - you either are or you aren't - and if you are you'll HAVE to make your way to some kind of sickly light, no matter how terrible the soil you were seeded in your nature will out somehow.

I've been getting pretty focused about that recently, and even considered doing a masters degree to polish up the craft. I've been pretty lucky in that I seem to have found people online who are willing to constructively tear it apart for me, and indicate its weaknesses.

Whatever the opposite of regret is best describes how I've always felt about that decision - it opened me up to a million creative opportunities I needed to experience away from the bull and distorting mirrors that fame engenders.

I'd make a terrible practitioner of any religion in any formal setting.

I took the process of doing as much myself as I could like a duck to water. I set up my own label and publishing, etc, and it was a fun learning curve two decades ago.

Trust the tale, not the teller.

There's nothing like doing something wrong to learn how it might be done better.

I always liked the magic of poetry but now I'm just starting to see behind the curtain of even the best poets, how they've used, tried and tested craft to create the illusion. Wonderful feeling of exhilaration to finally be there.

Oh yeah - for sure - hardly a week doesn't go by when I don't hear something wonderful that someone has made in some low-budget situation, primarily with a view to selling a few hundred copies at their concerts.

The school was prone to dishing out punishments for anything creative that didn't fit with expectation - I just followed the logic and figured the folk club was probably much the same.

Now that I'm staring down the barrel of the last act of my life, I'm less excited about control and solo effort, and I resent the way the business aspects interfere with my space for creative writing.

So there's a lot of people tied into believing that the traditional response to the authorship question. In terms of actors, some people get very angry about it.

And people do enjoy the plays at completely different levels. And, likewise, they enjoy the authorship question... at completely different levels.

We are the products of editing, rather than of authorship.

The trade of authorship is a violent, and indestructible obsession.

I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.

I didn't really escape that gravity until I moved 300 miles south to go to college at 18, where authorship no longer seemed something liable to induce vengeful punishment.

I proceed with the proper subject of this discourse; namely, the further changes in scientific belief, which have occurred within my own recollection, even since the time when I first aspired to authorship, now forty- five years ago.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands.

Education is a private matter between the person and the world of knowledge and experience, and has little to do with school or college.

Sounds so silly, but I want to accomplish getting my kids through college.

I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.

As compared with the college politician, the real article seems like an amateur.

In high school and college all my friends and my brother wrestled.

The lopsided attitudes of college professors pose a serious challenge to learning because students are so susceptible to becoming lopsided sheep.

Our campaign is powered by college students who are not about to let the first genocide of the 21st century happen on their watch.

My favorite thing is still journalism. I'm almost 50. This has been my life ever since I was in college.

Basically, right before college I got into the Guinness book for my feet and started to do local commercials and little radio spots, just little things and found I really liked it.

The more I do bookstores, the more people come up to me from church groups. I spoke at Pittsburg State College and had 2 or 3 ministers and book groups from a couple of churches.

I never took my SAT's. I never applied to college. I moved right out here and jumped into the thick of things. Whether that was the smart move or not, I'm sitting here talking to you now, so it paid off.

At one point in college I was so shy that I'd drop out of a class if asked to speak in front of other people.

I enjoyed high school and college, and I think I learned a lot, but that was not really my focus. My focus was on trying to figure out what businesses to start.

These children should be enrolled in Independent Living programs designed by state and local governments to prepare them to enter the workplace, or attend college, and successfully manage their lives.

I plan to go to college in Southampton, a fishery studies college. Again, my brother was down there about two years ago and he said it was great, so I'm looking forward to that.

It was 1967, and the hippie thing was happening. I got into experimenting with drugs while I was in college in Michigan.

I'm afraid I talk a lot, too much, perhaps. I should have been a lawyer or a college professor or a windy politician, though I'm glad I am not any of these.

I started college Pre-Med. That lasted about half a semester.

We want people to realize you are at a design school, not a land grant college. The way we look says a great deal about who we are.

Community colleges are one of America's great social inventions a gateway to the future for first time students looking for an affordable college education, and for mid-career students looking to get ahead in the workplace.

I'm talking like 10, 12 years old. Either junior brings Mom and Pop or Mom and Pop bring the kids. I'm talking young here, not a college drinking crowd.