The pull, the attraction of history, is in our human nature. What makes us tick? Why do we do what we do? How much is luck the deciding factor?

Every book is a new journey. I never felt I was an expert on a subject as I embarked on a project.

When I began, I thought that the way one should work was to do all the research and then write the book.

My shorthand answer is that I try to write the kind of book that I would like to read. If I can make it clear and interesting and compelling to me, then I hope maybe it will be for the reader.

I can fairly be called an amateur because I do what I do, in the original sense of the word - for love, because I love it. On the other hand, I think that those of us who make our living writing history can also be called true professionals.

I had been writing for about twelve years. I knew pretty well how you could find things out, but I had never been trained in an academic way how to go about the research.

I would pay to do what I do if I had to.

With the Truman book, I wrote the entire account of his experiences in World War I before going over to Europe to follow his tracks in the war. When I got there, there was a certain satisfaction in finding I had it right - it does look like that.

I'm very aware how many distractions the reader has in life today, how many good reasons there are to put the book down.

I love Dickens. I love the way he sets a scene.

When I read that the British army had landed thirty-two thousand troops - and I had realized, not very long before, that Philadelphia only had thirty thousand people in it - it practically lifted me out of my chair.

May none but honest and wise men ever rule under this roof.

To me history ought to be a source of pleasure. It isn't just part of our civic responsibility. To me it's an enlargement of the experience of being alive, just the way literature or art or music is.

You can't be a full participant in our democracy if you don't know our history.

I just thank my father and mother, my lucky stars, that I had the advantage of an education in the humanities.

I love all sides of the work but that doesn't mean it isn't hard.

I work very hard on the writing, writing and rewriting and trying to weed out the lumber.

In time I began to understand that it's when you start writing that you really find out what you don't know and need to know.

People are so helpful. People will stop what they're doing to show you something, to walk with you through a section of the town, or explain how a suspension bridge really works.

To go back and read Swift and Defoe and Samuel Johnson and Smollett and Pope - all those people we had to read in college English courses - to read them now is to have one of the infinite pleasures in life.

No harm's done to history by making it something someone would want to read.

First of all, you can make the argument that there's no such thing as the past. Nobody lived in the past.

The title always comes last. What I really work hard on is the beginning. Where do you begin? In what tone do you begin? I almost have to have a scene in my mind.

I'm drawn particularly to stories that evolve out of the character of the protagonist.

The pull, the attraction of history, is in our human nature. What makes us tick? Why do we do what we do? How much is luck the deciding factor?

There's an awful temptation to just keep on researching. There comes a point where you just have to stop, and start writing.

My next book is also set in the eighteenth century. It's about the Revolution, with the focus on the year 1776. It's about Washington and the army and the war. It's the nadir, the low point of the United States of America.

People are so helpful. People will stop what theyre doing to show you something to walk with you through a section of the town or explain how a suspension bridge really works.

Real success is finding your lifework in the work that you love.

If everyone is special, then no one is. If everyone gets a trophy, trophies become meaningless.

The main thing is to make history, not to write it.

The sanctity of our battlefields, monuments, and veterans institutions is of utmost importance to preserve military history and pay respect to those who fought.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

I don't have a strong interest in history.

Few men in our history have ever obtained the Presidency by planning to obtain it.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

I wanted to be a part of the Disney history.

Research is of considerable importance in certain fields, such as science and history.

What a year to live in! Worth all other times ever known in our history or any other.

There is little evidence that our individual intelligence has improved through recorded history.

The history of Christianity, therefore, must be of concern to all who are interested in the record of man and particularly to all who seek to understand the contemporary human scene.

I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.

The only hope is that our civilization will collapse at a certain point, as always happens in history. Then, out of barbarity, a renaissance.

In economic panics throughout history, the wiping out of the savings accounts of lower earners and the middle class has often led to social revolution, sometimes violent upheavals.

The greatest untapped reservoir of raw material in the history of our game is the black race.

Yet through history gays have always dominated religious life and churches.

Out of Coltrane's whole history, there are things which I think are great from all the periods.

I got a call to come in and meet Fox, and the rest is history.

Like most of those who study history, he (Napoleon III) learned from the mistakes of the past how to make new ones.