I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.

I think any spiritual experience that's worthwhile is not about ego and it will humble you in some way. And also, a Zen monk once said to me, 'If you're not laughing, then you're not getting it.'

I got a nomination for director, which means the world to me; it's just the most exciting thing for me and my family. You do the good hard work, and the rest of it is something you shouldn't get too caught up in, but when it happens - boy! I respect it.

That's what takes people out of the fight half the time. They get hit and half the reaction is your ego is saying, 'I cannot believe that person just lit me up - how humiliating.'

I just love real characters, they're not pretentious, and every emotion is on the surface, they're regular working people. Their likes, their dislikes, their loves, their hates, their passions; they're all right there on the surface.

That's the most beautiful thing that I like about boxing: you can take a punch. The biggest thing about taking a punch is your ego reacts and there's no better spiritual lesson than trying to not pay attention to your ego's reaction.

The closer you stay to emotional authenticity and people, character authenticity, the less you can go wrong. That's how I feel now, no matter what you're doing.

I've done my best to work from a place of humility - always looking over your shoulder saying, "Does this suck?" and I think that's a good way to work. The other way to work is where you start to think, "I'm on fire, I'm amazing!" and I don't think that's the way to work.

I was frustrated because I couldn't get going, as I was trying to figure out how to make films. I had various jobs, I taught a SAT class, I was a bartender, I had a day job at an office and was making short films.

I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.

I got put on jury duty, which is where I learned how to write.

'The Fighter' was about a family struggling to overcome and fighting each other sometimes, and I went back and rewrote this script which I had written for my son initially because my son has mood disorder.

I did a dance sequence in my second short film, which was my best short film, called 'Hairway to the Stars,' and I think Chris Wink, the founder of Blue Man Group, was in that. It's a black-and-white dance sequence. We were Glorious Food waiters together.

I feel profoundly blessed. I feel it's a great privilege to make any motion picture.

I just love real characters; they're not pretentious, and every emotion is on the surface, they're regular working people. Their likes, their dislikes, their loves, their hates, their passions; they're all right there on the surface.

I think I land somewhere between Scorsese and Capra in what I'm drawn to emotionally; I'm drawn to very intense emotion. Capra freaked people out when they saw Jimmy Stewart lose it in 'It's a Wonderful Life.'

I would say that when I came into this chapter of my filmmaking career, starting with 'The Fighter,' there was this sense that you have to go from your instincts and you have to go from your gut, and you have to not hesitate and you have to not hedge.

I'm always looking for a way to surprise audiences. That's, I feel, my job as a director. I felt that Amy Adams playing a tough woman in 'The Fighter' was a surprise. People saw her as a princess.

I've done my best to work from a place of humility - always looking over your shoulder saying, 'Does this suck?' and I think that's a good way to work. The other way to work is where you start to think, 'I'm on fire, I'm amazing!' and I don't think that's the way to work.

One of the things I've discovered at my age is I must have enchantment. And that was not clear to me in my earlier years. When I look at my favorite films, the Frank Capra - even Scorsese, even 'Goodfellas,' what makes that movie so remarkable is there's enchantment in their world.

Some of Jimmy Stewart's performance in 'It's A Wonderful Life' is some of the most disturbing performance he ever did, when he falls apart and when he breaks down.

That's the most beautiful thing that I like about boxing: you can take a punch. The biggest thing about taking a punch is your ego reacts and there's no better spiritual lesson than trying to not pay attention to your ego's reaction. That's what takes people out of the fight half the time.

The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.

There's nothing better than an actor who is really, really hungry to show everything they've got.

What do we have in life, really? If we're lucky we get to a certain age, and we have each other. We have the food we like. We have our crazy little rituals. And we have each other.

When I write an email where I outlined a whole scene, it just came out of my unconscious, it comes from a deeper place. The same thing happens when the actors go, take after take, and just get lost in it. When you're in a house, you don't think about being in the house; you're just there.

You know, veterans come home and they may not be bipolar, but after they've been through a war with PTSD or a head injury, their families have a handful when they come home.

I was utilized because I have a certain face that works well in cinema, and I'm used to making myself look as good as possible.

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

I think the cinema you like has more to do with silence, and the theater you like has more to do with language.

I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.

I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.

For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.

I don't go to the cinema much.

Foreign capital to build new cinemas will help modernize China's aging cinema infrastructure, attract Chinese consumers back into cinemas, and increase demand for U.S. films.

I went to the Tokyo Film Festival in Japan because I love Japanese cinema.

No, I like today's cinema a lot. But I've spent so many decades only making movies. There's so much that I still want to do. Like, live. It's only up to me.

Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.

Cinema will always have an important role to play in society.

I hate that people think going to the theatre is a special occasion. I wish people would treat it as normally as going to the cinema.

I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.

But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.

I prefer ordinary girls - you know, college students, waitresses, that sort of thing. Most of the girls I go out with are just good friends. Just because I go out to the cinema with a girl, it doesn't mean we are dating.

Well, you cannot think of cinema now, and you cannot think of cinema in the UK and not place Chaplin in the most extraordinary elevated context, if there can be such a thing, in that he was a genius, he was unique.

If a violent act towards a woman takes place, and the inspiration for that act is violence in cinema, the inspiration for that act would have come from somewhere else if movies didn't exist.

Cinema is still a very young art form with extraordinary techniques and very impressive special effects but sometimes it seems the soul has been taken out of things.

It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.

I like cinema. I am very fond of it. But from time to time I feel like having some time on my own.

In cinema, the leading player is the director.