I don't really know a lot of famous people. I've met a lot of famous people. If I ran into Tom Hanks today, I would have to remind him who I was and he would then remember me. But he wouldn't come up to me and say, "Hi Dave!"

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I don't know if I'd want to do that anymore, because you always get bigger laughs on college campuses. So, when the film plays in front of a city audience, you've probably cut too loosely.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.

Chevy Chase and Bill Murray - we thought those guys were funny. We love Bill Murray, but we didn't think they were right for Airplane! because it would step on the joke if there was a known comedian.

I believe in justice, maybe not in this life, but there has to be justice. And if there isn't a God, I think it would be very depressing. I'd prefer to believe there is.

Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.

I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.

Woody Allen has done some excellent serious movies, too, like Crimes And Misdemeanors. Very overlooked movie, I think, and really his best. And currently I like Big Fish!

I think up until the point when we started in the business, which was in the early '70s, most of the humor was political. The smart humor was political satire.

I think that came out of watching all those serious movies for all that time. If you watch a movie like Zero Hour, Sterling Hayden is pretty funny, and so are the guys in the cockpit.

So, it didn't do well. But now when I talk to kids who are first seeing it, they're surprised to hear the movie failed at the box office. Sometimes that's what happens.

What I would do is a 10-minute short of some kind on video, and if it's good enough, you get it passed around town and just get some attention, so then they'll read what you have.

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

You know, OJ was a really nice guy, and he knew his lines. He was nice to everybody on the set. He got to be a better actor, I thought, with every movie.

I've always thought those guys are really funny. And I love Dumb and Dumber, Kingpin and Mary.

I don't take reviews very seriously, but in their totality I think they are representative of how the audience feels, and of what their reaction is. There's always one guy who doesn't get it.

Sometimes, if you really want to try something original, you step a little too far out of bounds. I mean, there's a market force that kind of unconsciously keeps you in line a little bit.

I would love to work with Adam Sandler. Because then all I'd have to do is just turn the camera on and off.

We didn't realize it at the time, but the release date, the ad campaign and the poster are so important.

I don't really know a lot of famous people. I've met a lot of famous people. If I ran into Tom Hanks today, I would have to remind him who I was and he would then remember me. But he wouldn't come up to me and say, "Hi Dave!"

We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.

The only one that got through was Jimmy Walker, because he plays the gas station attendant. I mean, there's nothing wrong with it, it's just that we were kind of purists at the time, and we didn't want any comedians.

Our fathers were actually business partners in the same real-estate firm, and we got together and thought, How can we get a movie together and get distribution and create a new movie genre? We started by making satires of commercials.

There would always be a vote. There were always conflicts and arguments for years and years - that's why we're not together anymore. But there was always a vote. It was always two out of three.

Oh yeah, I believe in God. I think there's much more evidence that there is a God than that there isn't. I don't believe that Mother Theresa and Hitler go to the same place.

I think once we started directing separately - we each have different kinds of interests now, and the kinds of movies we want to do. I wouldn't hold your breath for that one.

It didn't happen every time for every movie. Ruthless People was a good movie, but we didn't get a good release or marketing. They completely blew the opening.

Quit now, you'll never make it. If you disregard this advice, you'll be halfway there.

Everything about it worked, and I don't mean just the movie, but in our experience, we realized there's also a component of luck involved in this business. We had absolutely the most competent people in the studio working on the release and ad campaign.

It's useless to try and make rhyme or reason of it, because one guy thinks one thing and the other guy sees a whole other thing. So I try not to take them too seriously. Lately I have them screened so I only read the positive ones.

I don't really know a lot of famous people. I've met a lot of famous people. If I ran into Tom Hanks today, I would have to remind him who I was and he would then remember me. But he wouldn't come up to me and say, 'Hi Dave!'

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

The people I want are very famous and very rich, and all I can offer them is a bit of exposure on TV and a bit of cash, so it's a miracle we get any guests at all. But we have been very lucky.

When I was a kid, the idea of why I wanted acting to be the thing I do for the rest of my life was different. It was, Oh yeah, I'll get girls and be famous.

I don't want to be famous famous. I'm happy on the second tier, where I have autonomy on a professional level but I can still go out to the movies without being recognized.

To be famous and broke is hard.

Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.

I fear that, in the end, the famous debate among materialists, idealists, and dualists amounts to a merely verbal dispute that is more a matter for the linguist than for the speculative philosopher.

Well I would say that we're regular people first of all and we're normal and it's obvious by some of the things that have happened just because our name is famous we're not immune to tragedy.

People are much more inclined to believe and say bad things about you if you're famous.

I don't want to be famous as a movie star and have the whole world love me, I want to be a creative actress.

I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen.

Those who have known the famous are publicly debriefed of their memories, knowing as their own dusk falls that they will only be remembered for remembering someone else.

People hate me because I am a multifaceted, talented, wealthy, internationally famous genius.

My philosophy was, if I just do good work, someone will like it enough to employ me. It never made me famous. And I'm way, way too old now, mate. That boat's sailed.

And I want to be able to - you know, make Republicans and Democrats famous for keeping jobs in California.