I think once we started directing separately - we each have different kinds of interests now, and the kinds of movies we want to do. I wouldn't hold your breath for that one.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I don't know if I'd want to do that anymore, because you always get bigger laughs on college campuses. So, when the film plays in front of a city audience, you've probably cut too loosely.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.

Chevy Chase and Bill Murray - we thought those guys were funny. We love Bill Murray, but we didn't think they were right for Airplane! because it would step on the joke if there was a known comedian.

I believe in justice, maybe not in this life, but there has to be justice. And if there isn't a God, I think it would be very depressing. I'd prefer to believe there is.

Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.

I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.

Woody Allen has done some excellent serious movies, too, like Crimes And Misdemeanors. Very overlooked movie, I think, and really his best. And currently I like Big Fish!

I think up until the point when we started in the business, which was in the early '70s, most of the humor was political. The smart humor was political satire.

I think that came out of watching all those serious movies for all that time. If you watch a movie like Zero Hour, Sterling Hayden is pretty funny, and so are the guys in the cockpit.

So, it didn't do well. But now when I talk to kids who are first seeing it, they're surprised to hear the movie failed at the box office. Sometimes that's what happens.

What I would do is a 10-minute short of some kind on video, and if it's good enough, you get it passed around town and just get some attention, so then they'll read what you have.

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

You know, OJ was a really nice guy, and he knew his lines. He was nice to everybody on the set. He got to be a better actor, I thought, with every movie.

I've always thought those guys are really funny. And I love Dumb and Dumber, Kingpin and Mary.

I don't take reviews very seriously, but in their totality I think they are representative of how the audience feels, and of what their reaction is. There's always one guy who doesn't get it.

Sometimes, if you really want to try something original, you step a little too far out of bounds. I mean, there's a market force that kind of unconsciously keeps you in line a little bit.

I would love to work with Adam Sandler. Because then all I'd have to do is just turn the camera on and off.

We didn't realize it at the time, but the release date, the ad campaign and the poster are so important.

I don't really know a lot of famous people. I've met a lot of famous people. If I ran into Tom Hanks today, I would have to remind him who I was and he would then remember me. But he wouldn't come up to me and say, "Hi Dave!"

We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.

The only one that got through was Jimmy Walker, because he plays the gas station attendant. I mean, there's nothing wrong with it, it's just that we were kind of purists at the time, and we didn't want any comedians.

Our fathers were actually business partners in the same real-estate firm, and we got together and thought, How can we get a movie together and get distribution and create a new movie genre? We started by making satires of commercials.

There would always be a vote. There were always conflicts and arguments for years and years - that's why we're not together anymore. But there was always a vote. It was always two out of three.

Oh yeah, I believe in God. I think there's much more evidence that there is a God than that there isn't. I don't believe that Mother Theresa and Hitler go to the same place.

I think once we started directing separately - we each have different kinds of interests now, and the kinds of movies we want to do. I wouldn't hold your breath for that one.

It didn't happen every time for every movie. Ruthless People was a good movie, but we didn't get a good release or marketing. They completely blew the opening.

Quit now, you'll never make it. If you disregard this advice, you'll be halfway there.

Everything about it worked, and I don't mean just the movie, but in our experience, we realized there's also a component of luck involved in this business. We had absolutely the most competent people in the studio working on the release and ad campaign.

It's useless to try and make rhyme or reason of it, because one guy thinks one thing and the other guy sees a whole other thing. So I try not to take them too seriously. Lately I have them screened so I only read the positive ones.

I don't really know a lot of famous people. I've met a lot of famous people. If I ran into Tom Hanks today, I would have to remind him who I was and he would then remember me. But he wouldn't come up to me and say, 'Hi Dave!'

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.