Yes, if I had it my way I would do all the shots myself - I used to do that when I was just a cameraman, an operator - but there's no way; you can't do that anymore.

I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great.

And I also trust that there's more than one way to do something.

Yes, if I had it my way I would do all the shots myself - I used to do that when I was just a cameraman, an operator - but there's no way; you can't do that anymore.

Just going along with this, what I did, or what I do is I imagine not being myself seeing it, but imagine somebody else who's seeing it for the first time.

I just focus on one show, when this is over then I'll start looking at what is coming up.

And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world.

I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally.

What you want to do is, you want to get away from people being afraid to show their work, which is the first thing, because they don't want to be shot down.

Steven and I have worked together a lot and I'm far ahead of the curve than most people in knowing what he wants, but he knows far more than I know about what's important for the story. So, most of the changes he will make will involve story changes.

So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically.

I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie.

I see the tool set being the same and maybe doing virtual movies and that's fine for some stories but not for others. And maybe make all CG movies but they are already doing it.

But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.

Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.

It's harder for me to work on a Forrest Gump kind of movie, where everything is invisible.

Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't give you the opportunities and other scripts do give you the opportunities to do things that haven't been done before.

You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening.

To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming.

And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that.

Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.

I've done enough of this that I can tell early on if it's going in the wrong direction or not.

I took business classes as a back up but I made movies all the time. I would get my classes done in two days and then spend the rest of the time making my movies.

Ninety-five percent of my audience was white.

When you encourage someone, it literally changes their brain chemistry to be able to perform sends fuel to the brain.

Poul Anderson's 'The High Crusade' may have had a greater impact on my development as a writer than any other book I ever read.

Gender is irrelevant. Certainly the tennis ball doesn't know what the gender was of the tennis coach.

Life is measured in love and positive contributions and moments of grace.

It's just very dull. Talking about yourself and about something that you've got less interest in than you had, because you've always moved on to something else.

Jesus is still up in Heaven, thumbing through his Bible, going 'Where did I say build a water slide?'

I cannot turn down this incredible honor twice.

I can't really describe a trick as much as I just feel it.

Whereas with Sirk, everything is always filmed. No matter what the script, he's always a real director.

As a director, I never feel that I have the answers.

That's how we grew up - kinda like Pops would put his drums, his percussion and instruments into the car and we would just go to a facility in the Bay Area and he would say to us, 'You think we have it bad? There are people worse off than we are. Let's go give back to the kids.' And that's how we grew up.

A society built upon a foundation of vengeance is a society doomed to destroy itself.

Ken Holtzman could pitch a game in ninety minutes. Wouldn't throw a breaking ball. And he had a great breaking ball.

I'm not very good at strategizing.

I was gone so much in my first marriage. I love the moments when I engage with my youngest daughter now. It's not my thing to sit on the ground and play tea party, but I'll do it because it's a moment that will stick with me forever.

I just always feel that you need Degree deodorant when you have those moments whether they are embarrassing or whatever, but every day you should be protected. I wish that maybe I had a type of celebrity to look up to when I was young telling me what to use and stuff.

I do dream about Afghanistan. I wake up and think I'm still there.

I've never really considered packing my suitcase and heading to Hollywood.

It was really strange to see all these apes standing around eating popcorn, smoking, wearing sunglasses.

Life hands us a lot of hard choices, and other people can help us more than we might realize. We often think we should make important decisions using just our own internal resources. What are the pros and cons? What does my gut tell me? But often we have friends and family who know us in ways we don't know ourselves.

Do your thoughts continue and repeat a cycle Seed, growth, bloom, and seed again.

A girl can wait for the right man to come along but in the meantime that still doesn't mean she can't have a wonderful time with all the wrong ones.

Students and postdoctoral fellows largely depend on the support of the public sector to finance the training and research that will make them world-renowned scientists.