I've done enough of this that I can tell early on if it's going in the wrong direction or not.

I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great.

And I also trust that there's more than one way to do something.

Yes, if I had it my way I would do all the shots myself - I used to do that when I was just a cameraman, an operator - but there's no way; you can't do that anymore.

Just going along with this, what I did, or what I do is I imagine not being myself seeing it, but imagine somebody else who's seeing it for the first time.

I just focus on one show, when this is over then I'll start looking at what is coming up.

And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world.

I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally.

What you want to do is, you want to get away from people being afraid to show their work, which is the first thing, because they don't want to be shot down.

Steven and I have worked together a lot and I'm far ahead of the curve than most people in knowing what he wants, but he knows far more than I know about what's important for the story. So, most of the changes he will make will involve story changes.

So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically.

I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie.

I see the tool set being the same and maybe doing virtual movies and that's fine for some stories but not for others. And maybe make all CG movies but they are already doing it.

But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.

Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.

It's harder for me to work on a Forrest Gump kind of movie, where everything is invisible.

Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't give you the opportunities and other scripts do give you the opportunities to do things that haven't been done before.

You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening.

To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming.

And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that.

Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.

I've done enough of this that I can tell early on if it's going in the wrong direction or not.

I took business classes as a back up but I made movies all the time. I would get my classes done in two days and then spend the rest of the time making my movies.

I want to thank all the fans for their support over the years. Keep supporting the Knicks, we're moving in the right direction here and we will be exciting to watch and competing against the best in the NBA. Come back to the Garden for those exciting games.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The laws were not made so much for the direction of good men, as to circumscribe the bad.

The mind moves in the direction of our currently dominant thoughts.

Life is an operation which is done in a forward direction. One lives toward the future, because to live consists inexorably in doing, in each individual life making itself.

On one hand, to be able to go from one direction in the sky to study such an object to another direction to study another object, and on the other hand to be able to maintain accurately the position in space.

The more one listens to ordinary conversations the more apparent it becomes that the reasoning faculties of the brain take little part in the direction of the vocal organs.

Backward is just not a natural direction for Americans to look - historical ignorance remains a national characteristic.

I have thought about Happy Days made into a movie. As far as the original cast not being a part of it, wow, I don't know who could be who!I just don't see it going in that direction. I can see the original cast doing the movie very easily though.

But I try not to become preoccupied with that because with whatever direction I follow, with whatever advice I've followed or not followed, It's landed me in New York, in a very beautiful hotel, talking to people about something that I love. So I ain't that far off.

No one could understand the bond between me and my brother. I struggled to understand the forces that drove his soul in one direction and mine in another.

I am always more interested in performance and character depiction, and my direction says as much.

You've got to think about big things while you're doing small things, so that all the small things go in the right direction.

People, like sheep, tend to follow a leader - occasionally in the right direction.

The general knowledge of time on the island depends, curiously enough, on the direction of the wind.

I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.

As the unity of the modern world becomes increasingly a technological rather than a social affair, the techniques of the arts provide the most valuable means of insight into the real direction of our own collective purposes.

In group lesson number six I think we learned how to turn backwards and then just kind of wiggle. That wasn't really skating backward, but I guess I was going in the right direction.

I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.

It takes little talent to see what lies under one's nose, a good deal to know in what direction to point that organ.

I mean, George Bush is a man of prayer. He talks to the lord. He tries to get his direction from the lord.

Children in a family are like flowers in a bouquet: there's always one determined to face in an opposite direction from the way the arranger desires.

Give immediate instruction to all your posts in said territory, under your direction, at no time and on no pretence to hoist, or suffer be hoisted, the English flag.

If you cry 'forward', you must without fail make plain in what direction to go.

There are a lot of times that if a detail in a scene or a beat, feels unnatural, they'll allow me to explore another direction to go until we're all comfortable with what we are doing.

It's better to hang out with people better than you. Pick out associates whose behavior is better than yours and you'll drift in that direction.