My mother felt it was time that I had some parental control, so I went off to America and went to New York.

Once, the parental bed collapsed because all the children sat on it at once.

Blank House was exactly a nice empty sheet where nothing was accountable because you were so naughty that you were in Blank House.

If you were in the film industry at that time, you were always picked up by directors who were much older. You were whisked about and shown things. I did work very hard though.

I had a quick ear and could pick up languages.

I don't think in my family anyone looked after anyone. It didn't matter how old they were.

If there was a distraction I'd get up and jump out the window. I was quite out of hand. In schools like that I don't think they expect that girls are going to behave in such an outrageous fashion.

I was a hard worker, and I always knew my lines.

Suddenly I had a contract and I was earning lots of money.

Both my parents were doctors, and my mother had her surgery in the house. There were six children.

The most surprising thing for my mother and father was when I was actually earning more money than them by the time I was about 18. They thought I was going to be the ne'er do well, who they'd have to keep worrying about.

Very quickly, without really looking back or trying, I was just suddenly lifted into another sphere.

The best part of learning any profession, when you're really going through those huge stretching escalated times of learning and energy, is when you want to do it so much.

My father said, If you want to do acting, you have to be successful, which is a silly thing to say.

I had a place in England and was commuting from England to Australia, which is pretty stupid, but after two years I sort of knew what I wanted to do, more or less.

I never used to sleep much. I think we all go through a bit of a time like that where we rage about. If we don't, I don't think you've ever really lived.

You never came home for lunch: you just stayed doing, playing, having fun, surfing, running round.

I didn't know what to do with myself. I wasn't excited by the teaching of the school. If they'd been intent on really teaching you things, I would have been a little more attentive.

I sort of was good at writing essays. I was never very good at mathematics, and I was never very good at algebra. I loved science, but I wasn't sure of it.

I was often very, incredibly naughty, and if I didn't come home at tea time I used to be sent to bed without any dinner. But people used to bring me things: I was better fed in bed.

I got through my teen years by being a bit of a clown.

I learnt the theory of movement, which I still teach sometimes. I was very, very ambitious to learn a skill.

I spoke French a bit, and I could speak a bit of this and that, and when you were taught those things by people who couldn't really do it, you can do some pretty wonderfully, imaginative horrific things to teachers.

At boarding school you had to wear your name across your chest and your back, and obviously I had a pretty funny name. It wasn't Brown or Smith or Hughes.

When I did Taming of the Shrew, I was very tired, and I decided to have a holiday and make a documentary.

My mother felt it was time that I had some parental control, so I went off to America and went to New York.

If you've got a lot of children, I think you let the other children bring them up more and you just sort of step in and do stuff like every now and again.

It was a very odd household, because the grandmothers were so different. Both of them had their own pianos. So it would be duelling pianos by grandmothers.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

The surest way to return to the people's business is to listen to the people themselves: We need to drop this whole scheme of federally controlled health care, start over, and work together on real reforms at the state level that will contain costs and won't leave America trillions of dollars deeper in debt.

Gary Smith, when I came to America, taught me a great deal about racing.

You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches.

Fascism is a worldwide disease. Its greatest threat to the United States will come after the war, either via Latin America or within the United States itself.

I've always thought that if Israel really wanted to solve the problem, they'd just start tomorrow and push right to the Jordan River, and anything in their way goes. They don't need America or someone else to help.

These old ballparks are like cathedrals in America. We don't have big old Gothic cathedrals like they do in Europe. But we got baseball parks.

American and Israel share a special bond. Our relationship is unique among all nations. Like America, Israel is a strong democracy, a symbol of freedom, and an oasis of liberty, a home to the oppressed and persecuted.

All the perplexities, confusion and distress in America arise, not from defects in their Constitution or Confederation, not from want of honor or virtue, so much as from the downright ignorance of the nature of coin, credit and circulation.

From the long range point of view, I do not know of anything we can do more important than to make some contribution to the preservation of religion as a vital force in America.

Our alliances and our credibility are crucial elements of our working capital in advancing America's interests in the world, and they have been eroded over the last four years.