I honestly feel like we never had a bad episode by TV standards. Every week I felt there were so many strong components of the show, especially the writing.

I think in a weird way that the entertainment industry is strangely more brutally honest than any other.

Fair or not, it always sucks when everyone wanders back from Sundance talking about how bad the movies were.

We own our movie and are now close to breaking even, even without finishing domestic DVD deals.

Well Bill Martin and Mike Schiff were the creators and they knew we had to do a family show. Everybody came at it from the angle of having been a kid and a teenager.

The day I showed up to South Carolina to work, I was with my kid and my ex and our dog and Kirk was hanging with this weird guy and I kind of defined the two of them by his friend and made a vow to avoid him.

It didn't get into Sundance although I showed a rough cut which is a mistake to all filmmakers out there.

Yeah, I'd done a bunch of pilots. Some that had gone for a while. One that went for 13 episodes. But I had never been on a show that had lasted more than that.

I remember working on movies like Gettysburg and feeling that Jeff Daniels was kind of a mentor.

Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.

Once a film is made and it exists, someone somewhere is going to watch it and that is kind of the magic of it all.

I don't think a show's ever changed networks in the middle of the season before, but it was cool because they gave us those extra couple years of life that was necessary to get us to syndication.

I got a lot of flak for having Kirk as the lead because they all claimed it was a much harder sell, but no one else could have done that part for many reasons.

Ultimately, it has been a struggle- but I was in Minneapolis and Austin a couple of weeks ago, sitting in theaters with complete strangers watching this weird movie that Kirk and I thought up and I was excited to be making film.

I honestly feel like we never had a bad episode by TV standards. Every week I felt there were so many strong components of the show, especially the writing.

Young actors are pretty fantastic. I can't even imagine doing stuff like that when I was a kid.

I am in Ghost Rider but I'm not sure when it's coming out.

No, I'm not a comic book guy. I'm pretty fascinated with the subculture though and I do think that the world of comic books is such a natural transition into film.

I did pilots here and there but mostly I was doing little bits in movies.

It was all that stuff about taking your parents' car when you're 13, sneaking booze into rock shows and ditching school with your friends. I could relate to that as a former teenager, rather than as a present parent.

A college football star, by his senior year, is used to running out there with 110,000 people going nuts. They feel comfortable in that environment. To me, a set feels like that. The one thing that I do know is that, as long as I'm prepared, I know this environment and this world.

Follow your deepest dream, the one you had as a kid... but stay focused.

I have to say that it was a thrilling ride to be on 'Terriers.' It was this odd circumstance where it was really loved by the people it was loved by, but it didn't do well. In fairness to FX, they were just so generous in keeping it on the air the whole year.

I played on this soccer team, called Hollywood United, and there were a lot of old ex-international pro-players. We played this benefit match at the Rose Bowl, and the crowd streamed in. It's so nerve-wracking to go out into a stadium, feeling a billion eyes upon you when you mess up your touches. That's an overwhelming environment.

My mom, she's from Ireland, coached tennis in Nigeria when she was a missionary and turned me on to it when I was young.

San Diego was fantastic. I think there's something about San Diego that is quite different than Los Angeles.

Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

As a member of this court I am not justified in writing my private notions of policy into the Constitution, no matter how deeply I may cherish them or how mischievous I may deem their disregard.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

For me, writing is a concentrated form of thinking.

Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Writing is a dog's life, but the only life worth living.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I look for ambiguity when I'm writing because life is ambiguous.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

Writing novels is the most exciting.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

Now I'm kind of established as a director, I much prefer directing to writing.

Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.

Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.

Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it.

And that's what I've learned too: writing is key.

Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.