Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

The essays are different because ultimately it's things I'm interested in, and I'm really just writing about myself and using those subjects as a prism.

The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll.

You're trying to find new ideas in people. I always think to myself, what question I am least comfortable asking the person? And then I make sure I ask it early in the interview.

Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything.

I've been asked about this constantly, and I compare it to how if you're walking down the street and some schizo guy comes up to you and vomits on you: You wouldn't be hurt by that, you'd just think it's weird.

I also did an Ozzy piece for him, and so I got hired. Everything happened really fast. I can't give people advice, because everything in my life changed completely in less than a year and it's still not something I am used to.

At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice.

I grew up on a farm, and we didn't have cable and only limited radio stations, so I wasn't inundated with culture the way people in other parts of the country were. But I was really interested in it.

Anyone who claims to be good at lying is obviously bad at lying. Thus - as a writer myself - I cannot comment on whether or not writers are exceptionally good liars, because whatever I said would actually mean its complete opposite.

If you're doing an interview, you need conversational tension. After you talk to them, you're not going to have a relationship with them, they're not going to like you, they're not going to be your friend.

The essays are very solipsistic and self-absorbed, I'm totally conscious of that. To me, book writing is fun, and I basically just write about things that are entertaining to myself.

Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available.

It's just that what's important there is different there than what's important is here. Here, people care that you wrote a book or that you work in the media.

The biggest hurdle to writing Fargo Rock City was that I couldn't afford a home computer - I had to get a new job so I could buy a computer. It could all change though. In five years, I could be back at some daily newspaper, which wouldn't be so bad.

A lot of people have this strategy where if they have a hard question they wait to ask it to the end of the interview because they think the person is going to walk out. But what they have to realize is, is that if the person walks out, they have a pretty successful story.

A whole bunch of months passed and I didn't hear anything and then he emailed and asked if I could do a little piece on POD and Queens of the Stone Age.

To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.

I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.

In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.

I keep saying the word "weird" over and over again, but it's the only way I can describe it.

It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility.

When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day.

I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.

I keep saying the word 'weird' over and over again, but it's the only way I can describe it.

Every generation is more influenced by technology which is always changing faster.

The worst thing you can do to anybody trying to be creative is to demand participation in their vision.

It is important to have questionable friends you can trust unconditionally.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web of the finest silken threads suspended in the chamber of consciousness, and catching every air-borne particle in its tissue.

I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.

The cultivation of sensibility on purely personal lines may, in fact, be the very worst training for a world where only the corporate and the cooperative will matter.

I have a deep rooted folk sensibility that I can't get away from completely.

I think there is a certain sensibility to someone you are attracted to and when it rubs off that's good.

I wanted to make an image for myself as an outlaw type. A kind of rock 'n' roll sensibility.

You should not have taken advantage of my sensibility to steal into my affections without my consent.

All thought must, directly or indirectly, by way of certain characters, relate ultimately to intuitions, and therefore, with us, to sensibility, because in no other way can an object be given to us.

The parental, and filial affections seem to be as ardent, their sensibility and attachment, as active and faithful, as those observed to be in human nature.

Children make you a better everything. Daughters open up a whole different sensibility to you. When you have children, it focuses you on them as opposed to on yourself.

A man may be as much a fool from the want of sensibility as the want of sense.

The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction.

Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay.

The submission of her body without love or desire is degrading to the woman's finer sensibility, all the marriage certificates on earth to the contrary notwithstanding.

People want other people to know that they share our sensibility even if they're not exactly sure what that sensibility is.

The possession of arbitrary power has always, the world over, tended irresistibly to destroy humane sensibility, magnanimity, and truth.

And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.

He who feels compelled to consider the consequences of these facts cannot but realize that the specific sensibility of nerves for certain impressions is not enough, since all nerves are sensitive to the same cause but react to the same cause in different ways.

The man of sensibility is too busy talking about his feelings to have time for good deeds.